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Waves Broadcast and Production - Native
[WAV-BPN] Un paquete necesario para la radio-difusión y restauración del audio, en formato Native
 
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$1,759.99+IV
Ahorro COSTAQ:
- $160.00
Precio COSTAQ:
$1,599.99+IV

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Waves Broadcast and Production

Plug-in Bundle - Native



  • Waves Broadcast and Production

    Take it to the airwaves.



    From major television networks to Hollywood soundstages, Broadcast & Production is the collection audio professionals turn to when they want to give their projects the finishing touches of power and perfection. With 18 state-of-the-art tools for audio restoration, mixing, mastering, and more, B&P gives you everything you need to take it to the airwaves.

    Over 20 plug-ins:

    L2 Ultramaximizer Linear Phase Equalizer Linear Phase Multiband Doubler IR-L
    Renaissance Axx Renaissance Bass Renaissance Channel Renaissance Compressor Renaissance DeEsser
    Renaissance Equalizer Renaissance Reverb Renaissance Vox X-Click X-Crackle
    X-Hum X-Noise Waves Tune LT S1 MV2
     
    V-Comp V-EQ3 V-EQ4 Z-Noise  

    L2 Ultramaximizer

    Take it to the limit

    For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

    Featuring

    • Manual and ARC™ Automatic Release Control
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    controls

    Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators

    Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators

    Link Links Threshold and Output Ceiling

    Release 0.01ms to 1,000ms

    ARC™ Auto Release Control

    Attenuation Meter 0dB to 30dB with peak hold indicator

    IDR™ Controls

    • Quantize None, 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or none
    • Shaping Moderate, Normal, Ultra, or None

    "Plug-ins such as... the L2 have defined the sound of modern software." Marc Cousins, Music Tech Magazine.



    Linear Phase Equalizer

    Amazingly transparent. Pinpoint accurate.

    Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

    Featuring

    • 2 Plugin Components: Lowband component and Broadband component
    • Nine linear phase filter types
    • Five bands of paragraphic equalization, plus dedicated low frequency band
    • +/- 30 dB per band gain change range
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain -30dB to +30dB per band

    Frequency

    • Low Frequency Band
      10Hz to 600Hz (Lowband)
      21Hz to 1,000Hz (Broadband)
    • Mid and High Frequency Bands
      32Hz to 600Hz (Lowband)
      258Hz to 21,963Hz (Broadband)

    Filter Type

    • Lowband Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf
    • Broadband Low Frequency Bell, Low Shelf, High Shelf, Low Pass, and High Pass
    • Broadband Mid and High Frequency Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf, Resonant High Pass, V-Slope High Pass, Resonant Low Pass and V-Slope Low Pass

    Q

    • Lowband 0.26 to 6.5
    • Broadband Low Frequency 0.60 to 2
    • Broadband Mid and High Frequency 0.26 to 6.5

    On/Off Per Band

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Trim Output gain adjustment

    Dither On/Off

    Graph Scale 12dB or 30dB

    Frequency Band Markers Graphic control over Frequency and Gain

    "...ideal for critical mastering..." Martin Walker, Sound On Sound

    iLok authorization required



    Linear Phase Multiband

    Crystal clear multiband compression

    Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

    featuring

    • 5 discrete bands
    • ARC™ Automatic Release Control
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Xover

    • Low 40Hz – 350Hz
    • Low-Mid 150Hz – 3,000Hz
    • High-Mid 1kHz – 8kHz
    • High 4kHz – 16kHz

    Threshold 0dB to -80dB Per band

    Gain -18dB to +18dB Per band

    Range -24dB to +18dB Per band

    Attack 0.5ms to 500ms Per band

    Release 5ms to 5000ms Per band

    Solo per band

    Bypass per band

    Master Link Controls Threshold, gain, range, attack and release

    DynamicLine™ Graph Shows reduction curve -18dB to +18dB, 16Hz to 20kHz

    Frequency Band Marker Graphic control over Frequency/Gain per band

    Dither On/Off

    Makeup Manual or Auto makeup gain

    Adaptive -80dB to +12dB

    Release ARC or Manual

    Behavior Opto or Electro

    Knee Soft to Hard, 0.01 to 1.00

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Trim Output gain adjustment

    "...subtle control and transparency..." Martin Walker, Sound On sound

    iLok authorization required




    Doubler

    Fatten up your tracks.

    When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

    Featuring

    • 2 Plugin Components: Two-Voice and Four-Voice
    • Up to 24bit 192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain -48dB to 0dB per voice and for the direct signal
    Pan -45° to +45° per voice and for the direct signal
    Align Delays the direct signal according to the latency of the voices
    FB High Pass Filter 16Hz to 21,357Hz
    Range 20Hz or 80Hz detune frequency boundary
    Modulation Reset Resets Rate and Depth values
    Delay 0ms to 100ms per voice
    Feedback 0% to 100% per voice
    Octave On/Off (Shifts the voice one octave down)
    Detune -100 to +100 cent
    Depth -200 to +200 cent
    Rate 0.1Hz to 400H
    Low Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader -24dB to 0dB
    Output Meters -30dB to 0dB, with peak hold and clip indicators
    In 1 - 3 L, L+R, L-R. Input signal for voices 1 and 3
    In 2 - 4 R, R+L, R-L. Input signal for voices 2 and 4

    "The results are stunning... its clean sound combined with the chorusing effects... are a dream" Bob dorman, Music Tech Magazine

    iLok authorization required





    IR-L

    Real spaces. Realtime control.

    When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

    Featuring

  • RT60 extends reverb time up to four times while preserving natural
    envelope and frequency content
  • Over 100 Impulse Responses
  • Upgradeable to IR1 or IR360°
  • Double precision bit resolution processing
  • Up to 24bit 96kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports RTAS, Audio Suite, VST, AU.
  • PC and Mac compatible




  • Controls

    CPU Mode Full CPU or Low CPU
    IR Graph

    • Gain and Time -90dB to 0dB, 0s to 10s
    • Zoom In and out on the time axis
    • Zoom Reset Defaults to 6s display
    Reverb Time Section
    • Convolution Start 0s to 1s
    • Convolution Length 0s to 6s
    • RT60 Indicator 0.1s to 10s
    • Ratio 0.25 to 1.00
    Latency Shows the current latency in ms
    Dry 0ms to 30ms delay of the dry signal
    Dry/Wet 0% to 100%
    Crosstalk 0 to 100 (IR-L Efficient module only)
    Direct On/Off
    Direct Pre-delay 0ms to 500ms
    Output Gain Fader -50dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators
    iLok authorization required





    Renaissance Axx

    Plug it in. Turn it up.

    Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

    Featuring

    • Streamlined 3 parameter control
    • Ideal for guitar and bass
    • Double precision bit resolution processing </ span <>
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold -60dB to 0dB

    Input Meter -60dB to 0dB

    Attack 0ms to 50ms

    Attenuation Meter 0dB to -30dB

    Output Gain Fader -30dB to 0dB

    Clip-Guard Output Limiter

    Output Meter -60dB to 0dB with peak hold and clip indicators



    Renaissance Bass

    MaxxBass®. REnaissance interface.

    Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier!

    Featuring

    • Extends perceived bass response by up to 1.5 octaves
    • Delivers bigger bass for any system
    • Clip-free performance
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Frequency Cutoff 32Hz to 256Hz

    In/Out Adds or removes the original bass from the output signal

    Original Bass Meter -30dB to 0dB

    Harmonic Intensity -24dB to +24dB

    Harmonics Meter -30dB to 0dB

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with numeric peak hold and clip indicato

    "Beef up the bass..."musictechmagazine.co.uk

    iLok authorization required




    Renaissance Compressor

    Analog Punch. Digital precision.

    Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.

    FEaturing

    • Vintage Opto and modern Electro compression modes
    • Internal brickwall limiting for clip-free output
    • ARC™ Auto Release Control for increased RMS levels
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    ARC™ Automatic Release Control or Manual

    Compressor Behavior Opto or Electro

    Character Warm or Smooth

    Input Meter -60dB to 0dB with peak hold indicators

    Threshold -60dB to 0dB

    Ratio 0.50:1 to 50.00:1

    Attenuation Meter -20dB to +6dB with peak hold

    Attack 0.5ms to 500ms

    Release 5ms to 5,000ms

    Output Gain -30dB to +30dB

    Output Meter -60dB to 0dB with peak hold and clip indicators

    Clip-Guard Output Limiter

    "No other plug-in can compete with Rencomp for transparency..." Ted Spener, Pro Audio Review

    iLok authorization required



    Renaissance Channel

    Vintage excellence, times four.

    A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plugin, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.

    Featuring

    • 4 processors in 1
    • Independent Gate and Compression
    • Double precision bit resolution
    • Selectable EQ/Dynamics signal flow
    • Stereo Rotation control
    • Up to 192kHz sample rate (TDM up to 96kHz)
    • Mono, Mono-to-Stereo, and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    4-Band Paragraphic

    • EQ On/Off Switch per band and for the EQ module
    • Filter Type Bell, Resonant Low/High Shelf, Low/High Pass
    • Gain -18dB to +18dB per band
    • Frequency 16Hz to 21,357Hz per band
    • Q 0.26 to 6.50 per band
    • Frequency Band Marker Graphic control over Frequency and Gain per band

    Routing Switch EQ>Dynamics, Dynamics>EQ

    Gate/Compressor Sidechains

    • Source Internal, Pre-EQ or External
    • On/Off Filter Activate
    • Filter Type Hi Pass, Band Pass, Low Pass and Band Reject
    • Frequency 16Hz to 21,357Hz
    • BW (Q) 0.10 to 8.00
    • Listen Monitor the sidechain signal
    • Energy Meters Displays the sidechain signal level, integrated Threshold control

    Compressor/Expander

    • RVox or RComp Dynamic behavior
    • On/Off Switch
    • Threshold -60dB to +18dB
    • Ratio 0.50:1 to 50.0:1
    • Attack 0.00ms to 500ms
    • Release 5.00ms to 5,000ms
    • ARC Manual or Auto

    Expander/Gate

    • Gate or Exp Dynamic behavior
    • On/Off Switch
    • Threshold -inf. to +18dB
    • Floor -inf. to 0dB
    • Release 10ms to 5,000ms

    Overall Attenuation Meters -Inf. to +6dB

    Output Gain Fader -30dB to +30dB

    Clip-Guard Output Limiter

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Phase Inversion Switch

    Rotation -45° to +45°

    "Once you've tried it, you may find it hard to live without it!" Sound On Sound

    iLok authorization required


    Renaissance DeEsser

    Shush the shh.

    Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.

    Featuring

  • Ideal for tracking, mastering, live sound, and broadcast
  • Adaptive Threshold and Adjustable Gain Reduction
  • Phase compensated crossover
  • Audio or Side-chain monitoring
  • Double precision bit resolution processing
  • Up to 24bit 192kHz resolution (TDM 24/192 Mono only)
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible


  • Controls

    Frequency 2kHz to 16kHz

    Filter Type High Pass or Band Pass

    Compression Mode Split or Wideband

    Range 0dB to –48dB

    Threshold 0dB to –80dB

    Monitor Audio or Sidechain

    Output Meter -40dB to 0dB with peak hold and clip indicators

    iLok authorization required



    Renaissance Equailzer

    Analog warmth. Paragraphic control.

    Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

    Featuring

    • 2, 4, and 6 band versions
    • Filter-curves based on vintage analog equalizers
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    Controls

    Gain -18dB to +18dB per band
    Frequency 16Hz to 21,357Hz per band
    Q Factor 0.26 to 6.5 per band
    Filter Types Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
    In/Out Switch per band
    Frequency Band Marker Graphic control over Frequency and Gain per band
    Output Gain Fader -24dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators
    Trim Output gain adjustment
    Link Left+Right, Left or Right

    "Sheer sonic splendor..." Harmony Central

    iLok authorization required




    Renaissance Reverb

    Classic sound. Precision controls.

    With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.

    featuring

    • 12 reverb types
    • De-correlation for subtle early reflections changes and fine tuning
    • Negative Predelay value delays the dry signal
    • Up to 24bit 96kHz resolution (TDM 24/96 Compact component only)
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    controls

    Damping Controls

    • Low Freq 16Hz to 1,600Hz
    • Low Ratio 0.10 to 2.00
    • High Freq 1,000Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Marker Graphic control over Frequency and Ratio per band
    Reverb Type Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb
    Decorrelation Variation 0 to 6
    EQ Controls
    • Low Freq 16Hz to 1,600Hz
    • Low Gain -24dB to +12dB
    • High Freq 1,000Hz to 21,000Hz
    • High Gain -24dB to +12dB
    • Frequency Band Marker Graphic control over Frequency and Gain per band
    Pre-delay -160ms to +160ms
    Time 0.1s to 20s
    Size 1 to 100
    Diffusion 0 to 100
    Decay 0.04 to linear
    Early Reflections Off to 0dB
    Reverb Off to 0dB
    Wet/Dry 0% to 100% wet
    Gain -24dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "Hands down, one of the best reverb plug-ins avaliable today." Mix Magazine

    iLok authorization required



    Renaissance Vox

    Smooth sound. Vivid vocals.

    A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

    Featuring

    • Soft-knee compressor with auto make-up gain
    • Gentle downward expander for noise gating
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Gate Threshold -inf. to 0dB

    Input Energy Meter -80dB to 0dB with peak hold indicators

    Comp 0dB to -36dB

    Attenuation Meter -36dB to 0dB

    Output Gain -36dB to 0dB

    Output Meter -40dB to 0dB with peak hold indicators

    Clip-Guard Output Limiter

    "...warmth that suggest classy vintage gear..." Sound On Sound

    iLok authorization required



    X-Click

    Clean your click.

    Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.

    Featuring

    • Visual Scope displays intensity of clicks
    • Audio and Difference monitoring
    • Real-time track insert capability
    • Double precision bit resolution processing (Native)
    • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold 0 to 100

    Shape 0 to 100

    Attenuation Meter -inf to 0dB with peak hold indicator

    Output Meter -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "For optical, vinyl, and magnetic cleanup and restoration, I have not seel a more powerful tool." Brian Slack, Widget Post Production.

    iLok authorization required





    X-Crackle

    All Snap. No crackle. No pop.

    X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

    Featuring

  • Audio and Difference output monitoring
  • Frequency-based Visual Scope display
  • Real-time track insert capability
  • Double precision bit resolution processing (Native)
  • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
  • Controls

    Threshold 0 to 100 for targeting crackles

    Reduction 0 to 100

    Attenuation Meter 0dB to -inf with peak hold indicator

    Output Meter -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "Waves Restoration tools did an amazing job... Jim Watson, Fat Groove Productions

    iLok authorization required




    X-Hum

    Hum Wrecker.

    Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.

    Featuring

    • 8 Harmonic Notch Filters
    • Frequency and Amplitude attenuation display
    • Audio and Inverse monitoring
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    High Pass
    • On/Off
    • Filter Type -12dB/Oct or -24dB/Oct
    • Frequency 4Hz to 100Hz

    Notch Filters

    • Frequency 20Hz to 400Hz fundamental frequency
    • Q 3 to 60 global Q factor
    • Link Linked (all), Odd – Even or Unlinked
    • Gain -60dB to 0dB per harmonic filter

    Output Gain Fader -50dB to 0dB

    Output Meter 30dB to 0dB with peak hold and clip indicators

    Monitor Mode Audio or Inverse

    "The Results were satounding!"Brian Slack, Widget post Production

    iLok authorization required





    X-Noise

    No noise is good noise.

    With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.

    Featuring

    • Real-time parameter control and monitoring
    • Learn mode for Noise Profile creation
    • Frequency-based spectral display
    • Audio and Difference output monitoring
    • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold -20dB to +50dB

    Reduction 0 to 100

    Dynamics

    • Attack 0ms to 1,000ms
    • Release 0ms to 5,000ms

    High Shelf

    • Frequency 400Hz to 20,000Hz
    • Gain -30dB to +30dB

    Resolution Low, Medium or High

    Noise Reduction Meter -Inf to 0dB with peak hold indicator

    Learn Captures the noise profile

    Output Meters -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "X-Noise removed more extraneous noise than I thought possible..." Brian Slack, Widget Post Production

    iLok authorization required






    Waves Tune LT

    Pitch perfect.

    Waves Tune LT is a special edition of Waves Tune which is included with selected bundles covered by Waves Update Plan. It delivers the same great sound as Waves Tune, using an intuitive interface, and simplified controls.

    Featuring

    • Operates in sync and controls host transport using ReWire
    • Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
    • Three timeline modes including bars/beats, minutes/seconds and samples
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Global Controls

    • Reference Pitch 220Hz to 880Hz
    • Formant Corrected/Non-Corrected
    • Pitch Shift Meter -100 cents to 100 cents
    • Timeline and Display Preferences Menu
    Edit Window Controls
    • Piano Roll 2 octave display
    • Select All
    • Clear Selection
    • Auto Scrolling On/Off
    • Horizontal/Vertical Zoom +/-
    • Reset Zoom
    Segmentation Controls
    • RootNote Semi-tone Scale
    • Scale 43 Pre-defined presets
    Edit Tools Note, Zoom Undo/Redo 2 levels Correction Controls>
    • Speed 0ms to 800ms
    • NoteTransition 0ms to 800ms
    • Ratio 0% to 100%
    iLok authorization required







    S1 Stereo Imager

    all natural Spread

    Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

    Featuring

    • 3 Components: Shuffler, Imager, and MS Matrix
    • Left/Right and MS io modes and metering
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Gain -24dB to 0dB

    Width 0.0 to 3.0

    Shuffle 1.0 to 3.0

    Frequency 350Hz to 1400Hz

    Input Mode M/S or L/R

    Left/Right Phase +/-

    Input Channel Swap

    Bass Trim -3dB to +3dB

    Asymmetry -90° to +90°

    Rotation -45° to +45°

    Output Mode MS or L/R

    Output Meter -24dB to 0dB with peak hold and clip indicators

    Stereo Image Graph Graphic control over all image parameters

    "I always use the S1 to make the drums wider than the speakers." Chris Shaw, Producer / Engineer Bob Dylan, Sheryl Crow, Weezer, Wilco, Public Enemy, Ice Cube
    ...an excellent tool for subtle stereo-field correction on master recordings." Alex Artoud, Mix Magazine







    MV2

    Dynamics processor

    With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.

    Featuring

    • High level compression
    • Low level compression
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    • Low Level Compression 0 to +48 dB
    • High Level Compression 0 to -48 dBFS
    • Output Gain 0 to -48 dBFS
    • Low Level Gain Meter 0 to +48dB
    • High Level Attenuation Meter 0 to -48dB
    • Output Meter 0 to -60 dBFS
    iLok authorization required




    V-Comp

    Vintage meets the future

    Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

    Featuring

    • Modeled on the acclaimed 2254 compressor
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Input -18dBu to +18dBu

    Output -18dBu to +18dBu

    Meter switch Input, Output or Gain Reduction

    Meter display Displays input, output, or gain reduction levels

    Analog switch Off, 25%, 50% and 100%

    Limiter Section

    • Limiter On/Off
    • Limit level +4dBu to +12dBu
    • Attack Fast or Slow
    • Release ms, 200 ms, 800 ms and Auto

    Compressor Section

    • Compress On/Off
    • Ratio 1.5:1, 2:1, 3:1, 4:1 and 6:1
    • Release 400ms, 800ms, 1.5s and Auto
    • DeEsser On/Off

    "A brand new favorite is the new Waves Vintage EQ... this thing rocks..." Alan Branch

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    V-EQ3

    Vintage meets the future

    Combining the best characteristics from two of the world’s most desirable console modules, the 1066 and 1073, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering. With the V-EQ3, it’s never been easier to achieve the rich classic sound of the ‘60s and ‘70s.

    Featuring

    • Modeled on the renowned 1066 and 1073 modules
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls


    HP Filter Frequency Off, 45Hz, 50Hz, 70Hz, 80Hz, 160Hz, 300Hz and 360Hz

    EQ On/Off

    Phase Reverses output signal phase

    LF Shelf Filter Frequency Off, 35Hz, 60Hz, 100Hz, 110Hz and 220Hz

    LF Shelf Filter Gain -18dBu to +18dBu

    MF Bell Filter Frequency Off, .36kHz, 0.70kHz, 1.2KHz, 1.6kHz, 3.2kHz, 3.8kHz, 4.8kHz, 7.0kHz and 7.2kHz

    MF Bell Filter Gain -18dBu to +18dBu

    HF Shelf Filter Frequency Off, 10kHz and 12kHz

    HF Shelf Filter Gain -18dBu to +18dBu

    Output Gain -18dBu to +18dBu

    Analog On/Off

    Trim Output gain adjustment

    "A brand new favorite is the new Waves Vintage EQ... this thing rocks..." - Alan Branch

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    V-EQ4

    Vintage meets the future

    Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.

    Featuring

  • Modeled on the classic 1081 console module
  • Up to 24bit 96kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible




  • Controls

    LP Filter Frequency Off, 27Hz, 47Hz, 82Hz, 150Hz, 270Hz

    HP Filter Frequency Off, 3.9kHz, 5.6kHz, 8.2kHz, 12kHz, 18kHz

    EQ On/Off

    Phase Reverses output signal phase

    LF Filter Frequency Off, 33Hz, 56Hz, 100Hz, 180Hz, 330Hz

    LF Filter Gain -18dBu to +18dBu

    LF Filter Type Shelf or Bell

    LMF Bell Filter Frequency Off, 220Hz, 270Hz, 330Hz, 390Hz, 470Hz, 560Hz, 680Hz, 820Hz, 1000Hz, 1200Hz

    LMF Bell Filter Gain -18dBu to +18dBu

    LMF HiQ On/Off

    HMF Bell Filter Frequency Off, 1.5kHz, 1.8kHz, 2.2kHz, 2.7kHz, 3.3kHz, 3.9kHz, 4.7kHz, 5.6kHz, 6.2kHz, 8.2kHz

    HMF Bell Filter Gain -18dBu to +18dBu

    HMF HiQ On/Off

    HF Filter Frequency Off, 3.3kHz, 4.7kHz, 6.8kHz, 10kHz, 15kHz

    HF Filter Type Shelf or Bell

    Output -18dBu to +18dBu

    Analog On/Off

    Trim Output gain adjustment

    "These bad boys deliver, 100%". Ross Hogarth

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    Z-Noise

    Advanced dynamic noise reduction

    Hiss happens. So does ground hum, computer noise, and any number of unwanted sonic artifacts. Bring on Z-Noise, and hear them disappear. Featuring real-time noise profiling, innovative transient preservation, and increased low-frequency resolution, Z-Noise truly is a revolution in noise reduction

    Featuring

    • 5-Band Noise Profile EQ
    • Enhanced low-frequency resolution and time sensitivity
    • Monitor the entire output or just the noise
    • Exclusive Extract mode creates noise profile from sources containing signal and noise
    • Adaptive dynamic detection for noise that changes over time
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Threshold -60dB to +60dB

    Reduction 0 to 50

    Noise Reduction (NR) Meter -Inf. to 0dB

    Attack 0.01ms to 1,000ms

    Release 0.01ms to 5,000ms

    Transients 0dB to 30dB

    Knee 0 to 100

    5 Band Noise Profile EQ

    • On/Off Per Band
    • Shape Low Shelf, High Shelf, Bell or Notch
    • Gain -30dB to +30dB
    • Frequency 30Hz to 22,016Hz
    • Q 0.26 to 6.5
    • Frequency Band Marker Graphic control over Frequency and Gain per band

    Noise Profile

    • Learn Captures Noise Profile from Noise selection
    • Extract Captures Noise Profile from Program Audio

    Adaptive Constantly Updates the Captured Noise Profile from Program Audio

    Optimize Punch, Normal or Smooth

    Analyzer Display Shows graphs for the Input Signal, Output Signal, Noise Profile and EQ Profile

    Monitor Audio or Difference

    Output Meter -30dB to 0dB with peak hold indicator

    "I use Z-Noise for sound-design work, running virtually every sound through it when transferring sounds fron my library to Pro Tools. People say 'your stuff is so clean and punchy sounding'. I I contribute the majority of that cleaninless to Z-Noise. It's my new secret weapon!" Charles Deenen, Sound designer - Need for Speed, Fast and Furious, and movie trailers

    iLok authorization required



























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