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WAVES 360° Surround Tools - NATIVE
[WAV-360N] Todos los plug-ins que necesita para sus mezclas Surround, en formato Native
 
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Waves 360 Surround Tools

Plug-in Bundle - Native



  • WAVES 360° Surround Tools - NATIVE

    Larger than life

    When sound engineers for major motion pictures need a comprehensive set of processors for mixing 5.1 Surround sound, they turn to Waves 360° Surround Tools. Conceived and created especially for Surround production, 360° Surround Tools includes compression, limiting, reverb, spatial enhancement, and much more. For the creation of sophisticated, accurate Surround mixes for today’s multi-channel listening environments, absolutely nothing compares.

    C360 | Surround Compressor

    For multi-Channel masterpieces

    With its flexible channel coupling and grouping, the C360° Surround Compressor delivers state-of-the-art soft knee compression, engineered especially for high resolution 5.1 Surround production.

     

    Featuring
    • Individual output ceiling limiter on each channel
    • 5 interchangeable Link modes
    • Threshold look-ahead with Negative attack time
    • ARC™ Auto Release Control
    • Preserves cross-channel balance, phantom imaging, and channel offset
    • Auto-makeup peak reference compression
    • Up to 24bit, 96kHz resolution
    • Mono, Stereo, and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    C360

    C360

    C360

    Controls

    Threshold -48dB to 0dB per channel

    Input Meters -60dB to 0dB with peak hold indicators per channel

    Global Threshold Control Links all Threshold controls

    Attenuation Meters -30dB to 0dB with peak hold indicators per link mode

    Out Ceiling -48dB to 0dB per channel

    Output Meters -60dB to 0dB with peak hold indicators per channel

    Global Ceiling Control Links all Ceiling controls

    Global Link Control Links all Threshold with all Ceiling controls

    Link Mode 5 Linked/LFE, All Linked, Front/Rea/LFE, Center/Quad/LFE and Center/Front/Rear (LFE is bypassed)

    Dither On/Off

     


    L360 | Surround Limiter

    Loud All Around

    Based on the legendary Waves L1 and L2 Ultramaximizers™, the L360° delivers multi-channel brickwall peak limiting, dithering, and noise shaping for the ultimate Surround experience. The audience won’t know what hit them!

    Featuring
    • ARC™ Automatic Release Control
    • IDR™ Increased Digital Resolution with double precision bit re-quantization
      and dither with 9th-order noise shaping filter
    • Flexible channel coupling, grouping, and parameter linking
    • Threshold look-ahead with Negative attack time
    • Global threshold, ceiling and limiter controls for offset preservation
    • Up to 24bit, 96kHz resolution
    • Mono, Stereo, and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    L360 Surround Limiter

    L360 Surround Limiter

    L360 Surround Limiter

     

    Controls

    Threshold -48dB to 0dB per channel

    Input Meters -60dB to 0dB with peak hold indicators per channel

    Global Threshold Control Links all Threshold controls

    Out Ceiling -48dB to 0dB per channel

    Output Meters -60dB to 0dB with peak hold indicators per channel

    Global Ceiling Control Links all Ceiling controls

    Global Link Control Links all Threshold with all Ceiling controls

    Link Modes 5 Linked/LFE, All Linked, Front/Rea/LFE, Center/Quad/LFE and Center/Front/Rear (LFE is bypassed)

    Attenuation Meters -30dB to 0dB with peak hold indicators per link mode

    Dither On/Off

     


    LFE360 | Low Pass Filter

    Spotlight the Bass

    Conceived and created especially for Surround and 5.1 mixing applications, the LFE360° lets you filter and enhance the LFE channel with fine-tune precision. Get ready for earth-shaking lows that will rock your Surround environment!

    Featuring
    • Mono and 5.1 components
    • 60 dB per octave filter roll-off
    • Preview LFE audio filter or apply to Master output
    • Up to 24bit, 192kHz resolution
    • Mono, Stereo, and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    Renaissance Axx

    Renaissance Axx

    Controls

    Low Pass Filter Frequency 20Hz to 250Hz

    Output Gain Fader -12dB to 0dB

    Trim Output gain adjustment

    Output Meter -60dB to 0dB with peak hold and clip indicators

     


    IDR360 | Surround Bit Re-Quantizer

    Do Your Bit

    Using patented psycho-acoustic dithering and noise shaping technology, IDR360° reduces the bit-depth of Multi-channel and 5.1 Surround audio with unparalleled clarity and resolution.

     

    Featuring
    • 5 selectable target bit resolutions
    • Patented psycho-acoustic technology
    • IDR™ Increased Digital Resolution dither
    • Up to 24bit, 96kHz resolution
    • 5.1/5.0 Surround Components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    IDR360

     

    Controls

    Dither On/Off

    Quantize 24bit, 22bit, 20bit, 18bit, and 16bit target resolutions

    Shaping None, Moderate, Normal, and Ultra


     


    R360 | Surround Reverb

    Space Emulation, the next generation

    Today’s Surround environments deliver new levels of depth and expression; R360° ups the ante, giving you unmatched realism with unprecedented real-time control. Utilizing state-of-the-art tail generation technology from our award-winning Renaissance Reverb, the R360˚ delivers six channels of rich, smooth acoustic modeling for 5.1 mixing environments.

    Featuring
    • Intuitive graphic display
    • Complements the S360 Surround Imager
    • Up to 24bit 96 kHz resolution
    • Mono-to-Stereo, Stereo to Surround and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    R360 Reverb Screenshot

    R360 Reverb Screenshot

    R360 Reverb Screenshot

     

    Controls

    Reverb Time 0.10s to 20.00s

    Reverb Damping

    • Low Freq 16Hz to 16,000Hz
    • Low Ratio 0.10 to 2.00
    • High Freq 1,000Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Markers Graphic control over Frequency and Ratio per band

    Reverb EQ

    • Low Freq 16Hz to 16,000Hz
    • Low Gain -24dB to +12dB
    • High Frequency 1,000Hz to 21,000Hz
    • High Gain -24dB to +12dB
    • Frequency Band Markers Graphic control over Frequency and Gain per band

    Reverb Properties Section

    • Pre-delay 0ms to 200ms (TDM 0ms to 132ms)
    • Rear Offset 0ms to 30ms
    • Size 46m to 100m
    • Density 0.0 to 0.71

    Reverb Mix Section

    • In Gain -24dB to 0dB
    • Center -36dB to 0dB, or Off
    • In LFE -36dB to 0dB, or Off
    • Out LFE -24dB to +24dB
    • Front/Rear 0% to 100%
    • Bright -12dB to +12dB

    LFE Low-pass On/Off

    LFE Low-pass Frequency 60Hz to 120Hz

    Dry/Wet Fader 0% to 100%

    Output Meters -60dB to 0dB with peak hold and clip indicators for L, C, R, Ls, Rs and LFE

    Solo On/Off for L, C, R, Ls, Rs and LFE

     


     


    M360 | Surround Mixdown

    The Ultimate Balancing Act

    When you’re doing Surround sound design or mixing, you need flawless satellite and subwoofer monitoring. For 5.1 studio calibration and bass management, the M360° Surround Mixdown is indispensable for achieving the perfect balance and spread.

     

     

    Featuring
    • ITU standard Mixdown matrices
    • 10 Mixdown formats
    • Up to 24bit 192kHz resolution
    • 5.1/5.0 Surround Components
    • Supports TDM, RTAS, Audio Suite, VST
    • Derives Quad, LCR, Stereo and Mono mixes from Surround
    • PC and Mac compatible

    M360 Surround Mixdown

    M360 Surround Mixdown

     

    Controls

    Mixdown Format Menu No Mixdown, Mono (ITU), Stereo (ITU), Stereo (ITU-3dB surrounds), Stereo (Wide), LCR (ITU), LCR (ITU S-3dB), LCR (Wide), LCRS (ITU), LCRS (ITU S-3dB) and 5.0

    Mix LFE -inf. to 10dB

    Input Gain -24dB to 0dB

    Output Meters -60dB to 0dB with peak hold and clip indicators per channel

     


     


    M360 | Surround Manager

    The Ultimate Balancing Act

    When you’re doing Surround sound design or mixing, you need flawless satellite and subwoofer monitoring. For 5.1 studio calibration and bass management, the M360° Surround Manager is indispensable for achieving the perfect balance and spread.

     

     

    Featuring
    • ITU standard Mixdown matrices
    • 10 Mixdown formats
    • Subwoofer feed control
    • Speaker angle and center level adjustment controls
    • LFE gain offset adjustment
    • 2-band bass-split crossover
    • Send Angles for connectivity with other panners and imagers
    • Derives Quad, LCR, Stereo and Mono mixes from Surround
    • Up to 24bit 192kHz resolution
    • 5.1/5.0 Surround Components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    M360 Surround Manager

    M360 Surround Manager

    M360 Surround Manager

    Controls

    Input Gain Fader -24dB to 0dB

    Rotation

    • On/Off switch
    • Angle +180ž to -180ž
    • Pan Pair-wise or Triple-wise

    Width

    • On/Off switch
    • Ratio .0 to 4.0
    • Pan Balanced, Front-stage, Front/Rear-stage, Focus and Mono Divergence

    Center Alignment -Aligned, +Aligned, -6dB, -4.5dB, -3dB, 0dB, +3dB, +4.5dB or +6dB

    Surrounds Alignment -6dB, -3dB, 0dB, +3dB or +6dB

    LR Angle Alignment +/-20ž to +/-50ž

    LsRs Angle Alignment +/-90ž to +/-150ž

    Circle Graphic Display Shows the final spatial image

    Send Speaker Angle Sends Angle information to open S360 panners and imagers

    Solo/Mute/Phase per channel including LFE and SUB

    Gain -24dB to 0dB per channel including LFE and SUB

    Delay 0ms to 15ms per channel

    Send to Sub -inf. to 0dB per channel

    Get LFE -inf. to 0dB per channel

    High Pass On/Off per channel

    Low Pass On/Off for Sub only

    Gain/Delay/Send-Sub/Get-LFE/Filter Links Global controls for all channels' Gain, Delay, Send to Sub, and Get LFE parameters

    LFE Adjust -10dB, 0dB or +10dB

    Bass Split Section

    • Low Pass Filter Frequency 25Hz to 150Hz
    • Low Pass Filter Slope dB/Oct, 12dB/Oct, 18dB/Oct and 24dB/Oct
    • High Pass Filter Frequency 25Hz to 150Hz
    • High Pass Filter Slope 6dB/Oct, 12dB/Oct, 18dB/Oct and 24dB/Oct

    Output Meters -60dB to 0dB with peak hold and clip indicators per channel

     


     


    S360 | Surround Imager

    Space Is The Place

    Surround technology presents exciting new sonic possibilities that go way beyond stereo. Take advantage of these sound opportunities with the S360°. Engineered for the precise manipulation of imaging, distance panning, and spatial enhancement for Surround sound, the S360° generates early reflections and uses shuffling to increase low frequency width and perceived depth.

    Featuring
    • Pair-wise or Triple-wise Rotation calculation
    • Center image and LFE Send controls
    • Mono-to-Stereo, Stereo to Surround and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • Up to 24bit 192kHz resolution Native
    • Up to 24bit 96kHz resolution TDM (5.1 to 5.1 24/48 only)
    • PC and Mac compatible

    S360 Surround Imager

    Controls

    ER Section

    • On/Off
    • ER Absorb -18dB to 0dB
    • Frequency 1,400Hz to 21,000Hz
    • Distance 1m to 20m
    • Link On/Off Distance controls Room Size
    • Room Size 1,200m3 to 6,500m3
    • Front/Rear 0% to 100%

    Shuffler Section

    • On/Off
    • Shuffle 0.00 to 3.00
    • Frequency 20Hz to 5,000Hz

    Rotation

    • On/Off
    • Angle +180ž to -180ž
    • Pan Pair-wise or Triple-wise

    Center 0% to 100%

    Send to LFE -inf to 0dB

    Width

    • On/Off
    • Ratio 0 to 4.0
    • Pan Balanced, Front-stage, Front/Rear-stage, Focus and Mono Divergence

    Input Gain Control -24dB to 0dB

    Output Meters -60dB to 0dB with peak hold and clip indicators for L, C, R, Ls, Rs and LFE

    Solo On/Off for L, C, R, Ls, Rs and LFE

    Early Reflections and Rotation Graphs Graphic control over ER-Distance and Rotation Pan

     


     


    S360 | Surround Panner

    Here, There and Everywhere

    Surround technology presents exciting new sonic possibilities that go way beyond stereo. Take advantage of these sound opportunities with the S360°. Engineered for the precise manipulation of imaging, distance panning, and spatial enhancement for Surround sound, the S360° generates early reflections and uses shuffling to increase low frequency width and perceived depth.

     

     

    Featuring
    • Pair-wise or Triple-wise Rotation calculation
    • Center image and LFE Send controls
    • Mono-to-Stereo, Stereo to Surround and Surround components
    • Supports TDM, RTAS, Audio Suite, VST
    • Up to 24bit 192kHz resolution
    • PC and Mac compatible

    S360 Surround Panner Screen Shot

    S360 Surround Panner Screen Shot

    S360 Surround Panner Screen Shot

     

    Controls
    Rotation
    • On/Off
    • Angle +180˚ to -180˚
    • Pan Pair-wise or Triple-wise

    Center % 0% to 100%

    Send to LFE -inf. to 0dB

    Width

    • On/Off
    • Ratio 0 to 4
    • Pan Balanced, Front-stage, Front/Rear-stage, Focus and Mono Divergence

    Input Gain Control -24dB to 0dB

    Output Meters -60dB to 0dB with peak hold and clip indicators for L, C, R, Ls, Rs and LFE

    Solo On/Off for L, C, R, Ls, Rs and LFE

    Rotation Graph Graphic control over Rotation Pan

     


     


    MV360°

    Surround Dynamics Processor

    MV360° is the ultimate dual function dynamics processor for 5.0 and 5.1 surround applications. With six channels of low level and high level compression, as well as nine versatile Link Modes, the MV360° is the simplest, most flexible way to control your surround sound dynamics.

    Now in 360° Surround Tools and Waves Mercury!

    Featuring
    • High level compression
    • Low level compression
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • 9 convenient Link Modes
    • Supports TDM, RTAS, VST
    • PC and Mac compatible
    • 5.0 to 5.0 and 5.1 to 5.1 components

    MV360°

    MV360°

    MV360°

     

    Controls
  • Low Threshold Range -72 to -36 dBFS
  • High Threshold Range -0 to -30 dBFS
  • Low Volume Range 0 to +30 dB
  • High Volume Range 0 to -30 dBFS
  • High Level Compression On/Off
  • Low Level Compression On/Off
  • High Level Compression Master Controls
  • Low Level Compression Master Controls
  • Link Mode Selector

  •  


     


    UM225 / UM226

    Stereo-to-Surround Processors

    From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multi-speaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.

    Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.

    Available separately or in 360º Surround Tools and Waves Mercury.

    Featuring
    • 5 selectable target bit resolutions
    • Patented psycho-acoustic technology
    • IDR™ Increased Digital Resolution dither
    • Up to 24bit, 96kHz resolution
    • 5.1/5.0 Surround Components
    • Supports TDM, RTAS, Audio Suite, VST
    • PC and Mac compatible

    From 2 to 5.0 or 5.1

    Experienced engineers know that in order to achieve optimal surround from stereo, they need to maintain the character of the original mix, including absolute levels, relative levels, and relative positions in space. At the same time, they want to realize the potential of the center, rear, and LFE channels, for a rich, enveloping 360˚ mix.

    Using patented center and rear channel extraction processes, together with a unique LFE channel enrichment process, the UM225 for 5.0 and the UM226 for 5.1 deliver improved surround imaging, for a wider soundscape with better separation.

    For sound designers who want to use stereo effects on surround soundtracks; for engineers updating archive material to the new HDTV surround standard; for keyboardists who need 5.0 or 5.1 output for virtual instruments; for post-production specialists who want to enhance LFE effects like explosions, earthquakes, and street rumble; and for recordists that require creative conversion of stereo sources to surround in real time, the UM225 and UM226 are the most versatile, best sounding stereo-to-surround processors out there.

     

     

    From music to movie soundtracks and beyond, audio engineers are upmixing all sorts of content from stereo to surround, to capture the excitement of today’s full, multi-speaker environments. And when the original multi-track sessions aren’t available, they have to work with stereo mixes.

    Presenting the UM225 and UM226 stereo-to-surround processors, two new tools which bring Waves quality to the new surround soundscape.

    Available separately or in 360º Surround Tools and Waves Mercury.

    Featuring
    • Profile modes for music and movies
    • Enhanced clarity and separation of frontal center
    • LFE channel LoAir enrichment with cutoff-frequency control
    • Adjustable rear channel ambience and delay
    • Intuitive surround graph

    UM

    UM

    UM

     

    Controls
  • Profile Mode 1 to 8
  • LF Profile L/R to C Balance
  • HF Profile L/R to C Balance
  • Punch L/R to C Balance
  • L/R Width 1 to 2
  • UpMix Amount 0 to 100 (2.0 to 5.0/5.1)
  • Rear LPF 20kHz to 1kHz
  • Rear Ambience 0 to 100
  • Rear Delay 3 to 75
  • LFE LPF 40Hz to 120Hz
  • LFE LoAir On/Off
  • Output Trims: L-R/Center/LsRs/LFE +/- 12dB
  • Master Output 0 to -24 dB
  • Left/Center/Right/Ls/Rs/LFE Speaker On/Off
  • Left/Right Input Meters -60dBFS to 0dBFS
  • Left/ Center/Right /Ls /Rs/LFE Output Meters -60dBFS to 0dBFS
  • Surround Graph
  •  


     


    Dorrough Surround

    The Waves Dorrough Meter Collection —Surround Edition includes the Waves Dorrough stereo meters with all their advanced display features and functions, plus customized meters engineered especially for Surround production environments.

    Developed in association with Dorrough Electronics, Waves Dorrough Meters display both average and peak levels and in a single readout, making them the only meters which actually let you see the density of your sound.

    Mercury V7 and 360˚ Surround Tools V7 owners receive the Waves Dorrough Meter Collection — Surround Edition at no additional charge.

     

     

    Featuring
    • Superfast Peak Response
    • Displays Number of Overs
    • Switch Between Display Sizes and Styles with the Click of a Mouse
    • 5.0 and 5.1 Components
    • 3 Modes: DTS, ITU/SMPTE, Film/Dolby Digital
    • Simultaneous Sum/Diff and Phase Correlation Readouts

    The Waves Dorrough Meter Collection

    The Waves Dorrough Meter Collection

    The Waves Dorrough Meter Collection

     

    Controls
  • Meter Style Vertical, Horizontal, Arc
  • Meter Size S, L, XL
  • Reference Level 20dB AES, 18dB EBU, 14dB
  • Peak Auto, Hold, Reset
  • Overs Display, Reset
  • Meter Mode Phase, Sum/Diff, Surround
  • Phase Error LED
  • Overs Error LED
  • Meter Order controls the layout of the meters.
    • Film (Default)
      5.0: L, C, R, Ls, Rs
      5.1: L, C, R, Ls, Rs, LFE
    • ITU
      5.0: L, R, C, Ls, Rs
      5.1: L, R, C, LFE, Ls, Rs
    • DTS
      5.0: L, R, Ls, Rs, C
      5.1: L, R, Ls, Rs, C, LFE
  • Sum & Diff / Phase Page allows the selection of channel pairs to be displayed on two sets of Sum & Diff / Phase Meters.
  • Collapse (- / +) hides the control section, leaving the meters displayed.

  •  


     


    Dorrough Stereo

    Do Your Bit

    The Waves Dorrough Meter Collection features models of Dorrough’s most popular loudness meters: 280D/240D, 380D/340D, and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario. As Input Meters to attain optimal recording levels, as Group/Auxiliary Meters to achieve optimal group loudness, or as Master Output meters, the Waves Dorrough Meters do it all!
    Featuring
    • Superfast Peak Response
    • Sum and Difference Energies for Optimal Stereo-to-Mono Compatibility
    • Left/Right Phase Correlation
    • Displays Number of Overs
    • Peak and Average Level Relations
    • Three Selectable Styles: Horizontal (280D/240D), Vertical (380D/340D), and Arc (40AES/EBU)
    • Three Selectable Sizes: Extra Large, Large, and Small
    • Selectable Reference Levels
    • Switch Between Display Sizes and Styles with the Click of a Mouse
    • 40dB Scale in 1 dB steps
    • Mono & Stereo Components
    When it comes to meters, you want readability. You want musicality. And most of all, you want accuracy. You want The Waves Dorrough Meter Collection.
     

    The Waves Dorrough Meter Collection

    The Waves Dorrough Meter Collec

    The Waves Dorrough Meter Collec

    Controls
  • Meter Style Vertical, Horizontal, Arc
  • Meter Size S, L, XL
  • Reference Level 20dB AES, 18dB EBU, 14dB
  • Peak Auto, Hold, Reset
  • Overs Display, Reset
  • Meter Mode Phase, Sum/Diff, Left/Right
  • Phase Error LED
  • Overs Error LED


  •  


     


    LoAir

    Get Ready to Rumble

    For years, sound design and post production professionals have been waiting for a subharmonic synthesizer plugin that delivers the earthshaking sound of hardware. The wait is over.

    More than just a subharmonic generator, LoAir features adjustable frequency and low-pass filter controls to shape your ultra low-end. Plus, it’s the only subharmonic plugin available which lets you process polyphonic content, as well as create an LFE track from stereo or 5.0 sources.

    Mercury V7 and 360° Surround Tools V7 owners covered by Waves Update Plan receive LoAir at no additional charge.
    Featuring
    • Add weight, drama, and depth
    • Enhance existing subharmonics
    • Processes polyphonic source material
    • Full session recall, full automation
    • Mono, Stereo, 5.0-to-5.1, and 5.1-to-5.1 components
    • Up to 24bit, 192kHz resolution
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible

    Waves LoAir Audio Plugin

    Waves LoAir Audio Plugin

    Waves LoAir Audio Plugin

     

    Controls
  • Frequency controls the cutoff frequency of the low pass filter.
  • LoAir controls the volume level of the generated pitch.
  • Direct controls the level of the direct unprocessed signal.
  • Output Meter displays the LFE output levels.
  • Direct Signal Filter determines if the direct signal is filtered or not.
  • Align delays the direct signal to synchronize it with the generated pitch.
  • Output controls the overall output level. (Mono & Stereo components only)
  • LFE Output controls the level of the LFE Output. (5.0 & 5.1 components only)
  • Feed Section (5.0 & 5.1 Components only)
    • L/R controls the amount of Left & Right channel content fed to the pitch engine.
    • C controls the amount of Center channel content fed to the pitch engine.
    • Ls/Rs controls the amount of Left Surround & Right Surround channel content fed to the pitch engine.
    • LFE (5.1 only) controls the amount of LFE channel content fed to the pitch engine.
























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