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Waves Gold - NATIVE
[WAV-GOLDN] Todos los plug-ins esenciales de Waves en un solo paquete, en formato Native
 
Precio al Público:
$879.99+IV
Ahorro COSTAQ:
- $80.00
Precio COSTAQ:
$799.99+IV

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504




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Waves Gold

Plug-in Bundle



  • Waves Gold - Native

    Get the Midas touch

    Gold brings a wealth of signal processing power to your studio, geared toward tracking, mixing, and mastering. The Gold Bundle now includes Waves Tune LT, IR-L Convolution Reverb and Doubler as well as many of our most sought after processors. With dynamics processing equalization, reverb and more, Waves Gold Bundle is a great introduction to the power of Waves.

    Over 20 Plug-ins:

    L1 Ultramaximizer UltraPitch MaxxBass TrueVerb S1
    Renaissance Axx Renaissance Compressor Renaissance Equalizer Renaissance Reverb C1
    C4 PS22 MetaFlanger MondoMod DeEsser
    Paz Psychoacoustic Analyzer Enigma SuperTap IR-L Doubler
    Doppler Q10 Paragraphic Equalizer AudioTrack MV2 Waves Tune LT
     
    H-Comp H-Delay



    L1 Ultramaximizer

    Legendary loudness

    The plugin that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

    Featuring

    • 2 Plugin Components: L1 Ultramaximizer and L1 Ultramaximizer+
    • IDR™ Increased Digital Resolution dither with noise shaping filter
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





     

    Input Gain Faders -20dB to 0dB

    Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators

    Output Meter -30dB to 0dB with an integrated

    Output Ceiling control, Peak Hold indicators

    Link Links Threshold and Output Ceiling

    Release 0.01ms to 1,000ms

    Attenuation Meter 0dB to 30dB with peak hold indicator

    IDR™ Controls

    • Quantize None, 24, 20, 16, 12 or 8bit
    • Dither Type 1, 2 or none
    • Shaping Moderate, Normal, Ultra or None
    • Domain Analog or Digital

    "...perfection and simplicity in one... for turnong up the heat in any mix." Randy Alberts - Harmony Central
    iLok authorization required




    UltraPitch

    Perfect harmony

    When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

    Featuring

    • 3 Plugin Modules: Shift, 3-Voice and 6-Voice
    • Pitch Detector and Voice Character graphs
    • Random asynchronicity using Animation Amount control
    • Linked or Free formant correction curves
    • Up to 24bit 48kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Input Gain Fader -24dB to 0dB

    Input Gain Meters -30dB to 0dB with peak hold and clip indicators

    Animation 0ms to 100ms

    Voice Section

    On/Off per voice and global
    Gain -24dB to 0dB per voice and global
    Pan -45° to +45° per voice and global
    Delay 0ms to 100ms per voice and global (Live mode on TDM)
    Pitch -Octave to Octave per voice
    Formant -12 to 12 per voice
    Voice Markers Graphic control over Pan, Pitch and Format
    Pitch and Formant Link modes Free, Voice, Song, Brass, Woods, Strings, Linear and Inverted

    Pitch Detector Section

    Scrolling Speed Slow to Fast
    Min Pitch Limiter 35Hz to 800Hz
    Max Pitch Limiter 100Hz to 1200Hz
    Detection Mode Default, Voice Steady, Voice Stressed, Voice Opera, Music Steady, Clear Tones and Bass

    "...amazing, mud-free, kick-ass bass, even from small speaker system..." Randy Alberts, Harmony Central

    iLok authorization required




    MaxxBass®

    Your bass just got bigger

    When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®.

    Featuring

  • Extends perceived bass response by up to 1.5 octaves
  • Preserves the dynamic range and character off the original bass
  • Mixed Output, MaxxBass, and Original bass monitoring
  • Up to 24bit 192kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible




  • Controls

    Cutoff Frequency Fader 32Hz to 256Hz

    Ratio 1.00:1 to 4.00:1

    Response 10ms to 30ms

    High Pass Filter Slope 6dB/oct, 12dB/oct, and 24dB/oct

    Decay -24dB to -9dB

    Input Gain Fader -inf. to 0dB

    Original Bass Fader –inf. to +12dB

    MaxxBass Fader –inf. to +12dB

    Output Meter -40dB to 0dB with peak hold and clip indicators

    Monitor Section Audio, MaxxBass and Original Bass

    "...amazing, mud-free, kick-ass bass, even from small speaker system..." Randy Alberts, Harmony Central

    iLok authorization required




    TrueVerb

    Real Room Emulation

    Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

    featuring

    • Thru and Send modes
    • Independent and Linked distance and reverb modes
    • Time and Frequency Response graphic interface
    • Up to 24bit, 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    controls

    Decorrelation

    • Early Reflection Variation 0 to Variation 6
    • Reverb variations 0 and 1


    Dimension 1.00 to 3.99

    Room Size 50m3 to 20,000m3

    Distance 0.5m to 40m

    Link Links the Reverb, Room Size and Pre-delay parameters

    Balance -48dB to +12dB

    Decay Time 0.2s to 100s

    Pre-delay 10.5ms to 160ms

    Density 0.000 to 1.000

    Room-Size/Distance Markers Graphic control over Size and Distance

    ER Low Cut 16Hz to 512Hz

    ER Low Cut Bypass

    Reverb High Shelf -12dB to 0dB

    ER Absorb -6dB to 0dB

    Frequency 1,600Hz to 21,000Hz

    Reverb Damping

    • Low 16Hz to 1,600Hz
    • Low Ratio 0.10 to 2.00
    • High 1,600Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Marker Graphic control over Frequency and Gain per band
    Input Gain -inf. to 0dB

    Output Mix

    • Direct -24dB to 0dB with On/Off switch
    • Early Reflections -24dB to 0dB with On/Off switch
    • Reverb -24dB to 0dB with On/Off switch
    Output Meter -24dB to 0dB with peak hold and clip indicator

    iLok authorization required





    S1 Stereo Imager

    all natural Spread

    Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

    Featuring

    • 3 Components: Shuffler, Imager, and MS Matrix
    • Left/Right and MS io modes and metering
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Gain -24dB to 0dB

    Width 0.0 to 3.0

    Shuffle 1.0 to 3.0

    Frequency 350Hz to 1400Hz

    Input Mode M/S or L/R

    Left/Right Phase +/-

    Input Channel Swap

    Bass Trim -3dB to +3dB

    Asymmetry -90° to +90°

    Rotation -45° to +45°

    Output Mode MS or L/R

    Output Meter -24dB to 0dB with peak hold and clip indicators

    Stereo Image Graph Graphic control over all image parameters

    "I always use the S1 to make the drums wider than the speakers." Chris Shaw, Producer / Engineer Bob Dylan, Sheryl Crow, Weezer, Wilco, Public Enemy, Ice Cube
    ...an excellent tool for subtle stereo-field correction on master recordings." Alex Artoud, Mix Magazine

    iLok authorization required





    Renaissance Axx

    Plug it in. Turn it up.

    Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

    Featuring

    • Streamlined 3 parameter control
    • Ideal for guitar and bass
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible



    Controls

    Threshold -60dB to 0dB

    Input Meter -60dB to 0dB

    Attack 0ms to 50ms

    Attenuation Meter 0dB to -30dB

    Output Gain Fader -30dB to 0dB

    Clip-Guard Output Limiter

    Output Meter -60dB to 0dB with peak hold and clip indicators

    iLok authorization required




    Renaissance Compressor

    Analog Punch. Digital precision.

    Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.

    FEaturing

    • Vintage Opto and modern Electro compression modes
    • Internal brickwall limiting for clip-free output
    • ARC™ Auto Release Control for increased RMS levels
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    ARC™ Automatic Release Control or Manual

    Compressor Behavior Opto or Electro

    Character Warm or Smooth

    Input Meter -60dB to 0dB with peak hold indicators

    Threshold -60dB to 0dB

    Ratio 0.50:1 to 50.00:1

    Attenuation Meter -20dB to +6dB with peak hold

    Attack 0.5ms to 500ms

    Release 5ms to 5,000ms

    Output Gain -30dB to +30dB

    Output Meter -60dB to 0dB with peak hold and clip indicators

    Clip-Guard Output Limiter

    "No other plug-in can compete with Rencomp for transparency..." Ted Spener, Pro Audio Review

    iLok authorization required




    Renaissance Equailzer

    Analog warmth. Paragraphic control.

    Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

    Featuring

    • 2, 4, and 6 band versions
    • Filter-curves based on vintage analog equalizers
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    Controls

    Gain -18dB to +18dB per band
    Frequency 16Hz to 21,357Hz per band
    Q Factor 0.26 to 6.5 per band
    Filter Types Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
    In/Out Switch per band
    Frequency Band Marker Graphic control over Frequency and Gain per band
    Output Gain Fader -24dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators
    Trim Output gain adjustment
    Link Left+Right, Left or Right

    "Sheer sonic splendor..." Harmony Central

    iLok authorization required




    Renaissance Reverb

    Classic sound. Precision controls.

    With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.

    featuring

    • 12 reverb types
    • De-correlation for subtle early reflections changes and fine tuning
    • Negative Predelay value delays the dry signal
    • Up to 24bit 96kHz resolution (TDM 24/96 Compact component only)
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible







    controls

    Damping Controls

    • Low Freq 16Hz to 1,600Hz
    • Low Ratio 0.10 to 2.00
    • High Freq 1,000Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Marker Graphic control over Frequency and Ratio per band
    Reverb Type Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb
    Decorrelation Variation 0 to 6
    EQ Controls
    • Low Freq 16Hz to 1,600Hz
    • Low Gain -24dB to +12dB
    • High Freq 1,000Hz to 21,000Hz
    • High Gain -24dB to +12dB
    • Frequency Band Marker Graphic control over Frequency and Gain per band
    Pre-delay -160ms to +160ms
    Time 0.1s to 20s
    Size 1 to 100
    Diffusion 0 to 100
    Decay 0.04 to linear
    Early Reflections Off to 0dB
    Reverb Off to 0dB
    Wet/Dry 0% to 100% wet
    Gain -24dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "Hands down, one of the best reverb plug-ins avaliable today." Mix Magazine

    iLok authorization required




    C1 Parametic Compander

    The ultimate dynamics processor

    With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

    Featuring

    • 3 Plugin Modules: Compressor/Expander, Gate/Expander, Filter/EQ
    • Split-band dynamics
    • Internal side-chaining
    • External side-chaining (Pro Tools only)
    • Look-ahead feature for precision transient processing
    • Up to 24bit 192kHz resolution (Compressor and Gate only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Compressor/Expander

    • Bypass Enables or disables the module
    • LowRef Mode Low Level Reference Conventional compressor operating mode
    • PeakRef Mode Peak Level Reference Preserves peak levels (auto makeup gain)
    • Make-up Gain -40dB to +40dB
    • Threshold -100dB to 0dB
    • Ratio 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    • Cancellation Mode -50:1 to -5:1 to cancel out very loud signals
    • Attack 0.01ms to 1,000ms
    • Release 1ms to 10,000ms
    • PDR Program Dependant Release
    • EQ Mode Wideband, Sidechain or Split
    • Gain Reduction Meter -36dB to +24dB
    • Control Level Meter -100dB to 0dB
    Gate/Expander
    • Bypass Enables or disables the module
    • Gate/Expander Control Switches between Gate and Expander modes
    • Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
    • Gate Thresholds Gate Open and Gate Close
    • Attack 0.01ms to 1,000ms
    • Release 1ms to 10,000ms
    • Hold 0.01ms to 5,000ms
    • EQ Mode Wideband, Sidechain or Split
    • Gain Reduction Meter -108dB to +12dB
    • Control Level Meter -100dB to 0dB
    Parameter Linking Links the Compressor/Expander and Gate/Expander controls
    Filter/EQ
    • Two Complementary Bands Active/Sidechain path, and passive path
    • Crossover Slope 18dB/octave to 36dB/octave
    • Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
    • Frequency 16Hz to 21Khz
    • Q 0.1 to 0.6
    Lookahead Yes/No

    Key Mode Stereo, Left keys Right, Right keys Left
    Monitor Audio, Sidechain or Passive
    Output Gain Fader -40dB to +18dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "Seminal... set the standard" proaudioreview.com

    iLok authorization required




    C4 Multiband

    compress to impress

    The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

    Featuring

    • 4 parametric bands
    • ARC™ Auto Release Control
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    Controls

    Input Gain Fader –inf. to 0dB
    Range -24dB to +18dB per band
    Gain -18dB to +18dB per band
    Attack 0.5ms to 500ms per band
    Release 5ms to 5,000ms per band
    Threshold -80dB to 0dB per band
    Energy Level Meter -80dB to 0dB per band
    Solo per band Bypass per band
    DynamicLine™ Graph Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
    Frequency Band Marker Graphic control over Frequency/Gain per band
    Master Controls Global control of threshold, gain, range, attack and release settings
    Release Type ARC™ or Manual
    Behavior Opto or Electro
    Knee Type Soft to Hard, 0.00 to 0.75
    Crossover

    • Low 40Hz – 250Hz
    • Mid 100Hz – 5993Hz
    • High 2kHz – 16kHz
    Q 0.1 to 0.75
    Output Gain Fader -18dB to +18dB
    Output Meter -80dB to 0dB with peak hold and clip indicators

    "tremendously powerful tool Dave Pensado

    iLok authorization required




    PS22 Stereo Maker

    Because two channels are better than one.

    Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

    Featuring

    • 3 components: PS22-Spread, PS22-Split, and PS22-XSplit
    • Psycho-acoustic spatial enhancement and phase-compensation
    • Retains mono compatibility
    • Preserves original frequency response
    • Left/right or MS meter monitoring
    • Up to 24bit 192kHz resolution
    • Mono-to-Stereo and Stereo components
    • PC and Mac compatible
    • TDM only




    Controls

    Input Gain Fader –24dB to 0dB
    Width 0.0 to 1.0
    Rotation -45° to +45°
    Spread Graph Stereo Vector Display
    Spread 0.0 to 1.0
    Freq 32Hz to 16,384Hz
    Shape 0.00 to 1.25
    Delay 5ms to 20ms
    XFeed 0.0 to 1.0
    LFSpread 0.0 to 3.0
    FCenter 80Hz to 15,262Hz
    FDensity -0.85 to 0.85
    Tweak -0.85 to 0.85
    Sweeps 2 to 10
    L/R or M/S Monitoring of the stereo effect
    Output Meter -30dB to 0dB with peak hold and clip indicators

    iLok authorization required




    MetaFlanger

    Get swept away.

    There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation - until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

    Featuring

    • Tape delay emulation switch
    • LFO depth and waveform display
    • Modulation Stop switch to freeze the LFO
    • Extensive presets including emulations of vintage gear
    • Tempo sync
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Mix 0% to 100%
    Mix Phase Wet signal phase inversion on/off
    Feedback 0% to 100%
    Feedback Phase Phase inversion on/off
    Filter Type Low Pass or High Pass
    Filter Frequency 0.1kHz to 20kHz
    Filter On/Off
    Delay 0.1ms to 50ms Tape Wet/Dry signals delay alignment
    Modulation Rate 0Hz to 20Hz
    Tempo Sync Manual or Auto
    Modulation Depth 0% to 100%
    Link Links Modulation Rate and Depth controls
    Waveform Sine or triangle
    Modulation Meter Graphic display of Rate and Depth
    Stop Freezes the modulation effect
    Stereo 0° to 180°
    Output Gain Fader -12dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...The ideal and all-encompassing flanger for the guitarist."Trax music

    iLok authorization required




    MondoMod

    Modulation, from mild to wild

    MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

    • 3 Main Modules: AM (tremolo), FM (vibrato) and Rotation (panning)
    • LFO with 5 selectable waveforms
    • Tempo Sync
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Tempo Sync Manual or Auto
    Modulation Rate Hz 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
    Modulation Rate BPM 0.5bpm to 3600bpm (Disabled when Sync is in Auto mode)
    X-Factor Modulation Multiplier, 0.25 to 100
    Waveform Sine, Square, Saw Up, Saw Down or Triangle
    AM Depth Fader 0% to 100%
    AM Meter Graphic display of Rate and Depth
    AM On/Off Enables or disables AM module
    AM Phase 0°, 90°, 180° and 270° (Applied to modulation only)
    Rotation Center -180° to +180°
    Rotation Range 0° to 360°
    Rotation Meter Graphic display of Center position and Range
    Rotation On/Off Enables or disables AM module
    FM Depth Fader 0% to 100%
    FM Meter Graphic display of Rate and Depth
    FM On/Off Enables or disables AM module
    FM Phase 0°, 90°, 180° and 270° (Applied to modulation only)
    Output Gain -12dB to +12dB Mix 0% to 100%
    Output Meter -30dB to 0dB with peak hold and clip indicators

    iLok authorization required




    DeEsser

    Less ess.

    When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

    Featuring

  • Sharp side-chain filters
  • Wide-band or Split compression modes
  • Audio or Sidechain monitoring
  • Up to 24bit 192kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible


  • Controls

    Audio Split or Wideband modes
    Frequency 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
    Sidechain Filter Type High Pass or Band Pass
    Monitor Audio or Sidechain
    Threshold -80dB to 0dB integrated with the Input Energy Meter
    Attenuation Meter -30dB to 0dB with peak hold indicator
    Output Meter -30dB to 0dB with peak hold indicator

    iLok authorization required




    PAZ Analyzer

    Hear it. See it. Believe it.

    Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and Peak/RMS levels.

    Featuring

    • 3 Plugin Components: Position, Frequency and Meter components
    • Peak or RMS frequency analysis modes
    • L/R peak and RMS displays, with individually re-settable peak hold values
    • Optional resolution in 10Hz steps for precise analysis below 250Hz
    • 52 or 68 band analysis
    • Save Graphic output to memory
    • Save results as text file
    • Real-time vector display with zoom
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    LF Resolution 40Hz, 20Hz and 10Hz
    Weight Un-weighted, dBA, dBB or dBC
    Freeze Freezes the display
    Show L and R independently, or L+R (summed)
    Peak Hold On/Off
    Clear Clears the peak hold
    Detect Peak or RMS
    Response 50ms to 5,000ms
    Frequency Gain Graph -80dB to 0dB, 6Hz to 20,660Hz
    Navigate Scrolls the screen when zoomed in
    Zoom Horizontal and Vertical +/-
    Reset Zoom
    Phase Graph -80dB to 0dB, -90° to +90°
    Output Meter L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
    Summed Loudness Meter (L + R -6dB) -40dB to 0dB

    "..an excellent diagnostic tool..." Alex Artaud, Mix Magazine

    iLok authorization required




    Enigma

    Modulate. Transform. TRascend

    Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

    Featuring

    • 3 Plugin Modules: Notch, Modulator, and Feedback
    • Tempo Sync
    • Up to 24bit 192kHz resolution
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Notch

    • Notches 1 to 6 pairs (2 to 12)
    • +1/2 Adds half a pair of notches to the high-end
    • Phase Polarity reverse switch
    • Depth 0 to 200
    • Stereo 0 to 100
    • On/Off per filter
    Notch Filters
    • Graph Markers for Frequency and X-Factor adjustment
    • Frequency
      Lowband filter 16Hz to 16kHz,
      Highband filter 16kHz to 21kHz
    • X-Factor filter slope 0.10 to 2.00
    Modulator
    • Modulation Play or Pause Sync Auto or Manual
    • Waveform Sawtooth up, Sawtooth down, Triangle, Sine and Square
    • Rate 0.01s to 20s
    • BPM 0.6bpm to 1,200bpm
    • Min/Max Frequency 16Hz to 21,357Hz
    Feedback
    • Feedback On/Off switch for the feedback component
    • Phase Polarity reverse switch
    • Decay Time 10ms to 5000ms
    • Delay 0.01ms to 200ms
    • Density 0 to 100
    Feedback Filters
    • Graph Markers for Frequency and X-Factor adjustment
    • Frequency
      Lowband filter 16Hz to 16kHz,
      Highband filter 16kHz to 21kHz
    • X-Factor filter slope 0.10 to 2.00
    Gain -24dB to 0dB
    Mix 0% to 100%
    Pre-Delay 0ms to 200ms
    Wet output mode; Stereo, Mono, and Mono + phase reverse
    Output Meter -30dB to 0dB, with peak hold and clip indicators

    iLok authorization required




    SuperTap

    analog style. digital precision.

    Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

    Featuring

  • 2-Tap and 6-Tap components
  • Tap-Pad for tempo tapping or pattern switching
  • Global LFO modulation and 2 feedback modes
  • Spatial positioning vector display
  • Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
  • Mono, Mono-to-Stereo and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible




  • Controls

    Tempo

    • BPM 40BPM to 1200BPM
    • MS 50ms to 1,500ms
    • Tap Pad Manual Tap input
    • Tap Pad Mode Tempo or Pattern
    • Sync Auto or Manual
    Modulation
    • On/Off Switch
    • Sync Manual or Tempo
    • Rate 0Hz to 20Hz
    • Depth 0ms to 10ms
    On/Off Switch for Direct Signal, Taps and Feedback

    Direct Signal Gain -42dB to 0dB

    Tap Gain -48dB to 0dB

    Feedback Amount 0% to 100%

    Rotate -45° to +45° of Direct Signal, Taps and Feedback

    Taps and Feedback Delay Sliders 0ms to 5,944ms or by Tempo Grid

    Feedback Mode Normal or Tap

    Snap On/Off snap to grid

    Grid resolution Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths

    Grid Mode BPM or ms
    EQ
    • On/Off Switch per Taps and Feedback
    • Tap Filter Type Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
    • Feedback Filter Type include Low Pass, Low Shelf and Low Decay
    • Frequency 0.1kHz to 20kHz per Taps and Feedback
    • Gain -12dB to +12dB for Taps; -12dB to 0dB for Feedback
    Output Gain Fader -12dB to +12dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...every function you could wish for in a delay Bob Dorman, Music Tech Magazine

    iLok authorization required




    IR-L

    Real spaces. Realtime control.

    When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

    Featuring

  • RT60 extends reverb time up to four times while preserving natural
    envelope and frequency content
  • Over 100 Impulse Responses
  • Upgradeable to IR1 or IR360°
  • Double precision bit resolution processing
  • Up to 24bit 96kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports RTAS, Audio Suite, VST, AU.
  • PC and Mac compatible




  • Controls

    CPU Mode Full CPU or Low CPU
    IR Graph

    • Gain and Time -90dB to 0dB, 0s to 10s
    • Zoom In and out on the time axis
    • Zoom Reset Defaults to 6s display
    Reverb Time Section
    • Convolution Start 0s to 1s
    • Convolution Length 0s to 6s
    • RT60 Indicator 0.1s to 10s
    • Ratio 0.25 to 1.00
    Latency Shows the current latency in ms
    Dry 0ms to 30ms delay of the dry signal
    Dry/Wet 0% to 100%
    Crosstalk 0 to 100 (IR-L Efficient module only)
    Direct On/Off
    Direct Pre-delay 0ms to 500ms
    Output Gain Fader -50dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    iLok authorization required




    Doubler

    Fatten up your tracks.

    When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

    Featuring

    • 2 Plugin Components: Two-Voice and Four-Voice
    • Up to 24bit 192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain -48dB to 0dB per voice and for the direct signal
    Pan -45° to +45° per voice and for the direct signal
    Align Delays the direct signal according to the latency of the voices
    FB High Pass Filter 16Hz to 21,357Hz
    Range 20Hz or 80Hz detune frequency boundary
    Modulation Reset Resets Rate and Depth values
    Delay 0ms to 100ms per voice
    Feedback 0% to 100% per voice
    Octave On/Off (Shifts the voice one octave down)
    Detune -100 to +100 cent
    Depth -200 to +200 cent
    Rate 0.1Hz to 400H
    Low Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader -24dB to 0dB
    Output Meters -30dB to 0dB, with peak hold and clip indicators
    In 1 - 3 L, L+R, L-R. Input signal for voices 1 and 3
    In 2 - 4 R, R+L, R-L. Input signal for voices 2 and 4

    "The results are stunning... its clean sound combined with the chorusing effects... are a dream" Bob dorman, Music Tech Magazine

    iLok authorization required




    Doppler

    In one ear. Out the other.

    Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

    Featuring

    • Auto-detection or manual triggering
    • Creative click and drag simplicity
    • Energy, Manual, Continuous Cycling and One-shot modes
    • Reverb with Time and Brightness controls
    • Up to 24bit 48kHz resolution
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain Modulation 0% to 200%
    Pan Modulation 0% to 200%
    Pitch Modulation 0% to 200%
    Air Damping 0% to 200% high frequency damping
    Reverb 0% to 200% reverb level mix
    Reverb Time 0.1s to 10s
    Brightness Dark to Bright, 0.0 to 1.0
    Bypass for Gain, Pan, Pitch, Air Damping, and Reverb
    Graphic Display Controls Direction arrows, Start/End position marker, Movement Curve, Elapsed time
    Mode Continuous or One-shot
    Trigger Energy or Manual
    Track Time 0.5s to 60s
    Center Time 0s to 30s
    Output Gain Fader -12dB to +12dB
    Output Meter -100dB to 0dB

    iLok authorization required




    Q10 Paragraphic Equalizer

    Total tonal control.

    The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

    Featuring

    • 7 Plugin Components 1, 2, 3, 4, 6, 8 and 10 bands
    • Separate or Linked processing and parameter control
    • Advanced noise-shaping for optimum fidelity
    • Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
      Crossovers, Hum Removal, and More
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Input Gain Fader -24dB to 0dB
    Input Phase Invert +/-
    On/Off Switch per band
    Filter Type Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
    Gain -18dB to +18dB per band
    Frequency 16Hz to 21,357Hz per band
    Q 0.5 to 100 per band
    Frequency Band Markers Graphic control over Frequency and Gain per band
    Output Gain Fader -24dB to +12dB
    Trim Output gain adjustment
    Output Meter -30dB to 0dB with peak hold and clip indicators
    Control Mode Link Left + Right, Left Only, Right Only

    "...top-quality results... could well become the benchmark for software equalisation..." Janet Harniman - Cook, SOS

    iLok authorization required




    AudioTrack

    One plug-in. Three essential processors.

    AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plugin. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.

    Featuring

    • Peak reference compression with automatic gain compensation
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Input Gain Fader –inf. to 0dB
    4-Band EQ

    • On/Off Switch per band
    • Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
    • Gain -18dB to +18dB per band
    • Frequency 16Hz to 21,357Hz per band
    • Q 0.5 to 30 (bell filter only)
    Compressor/Expander
    • Threshold -52dB to 0dB
    • Ratio 0.5:1 to 40:1
    • Attack 0.1ms to 1,000ms
    • Release 1ms to 10,000ms
    Gate
    • Threshold –inf. to 0dB
    • Floor –inf. to 0dB
    • Attack 0.1ms to 1,000ms
    • Release 1ms to 10,000ms
    Input Energy Meter -80dB to 0dB, Post EQ including compressor and gate threshold indicators
    Attenuation/Expansion Meter -48dB to +12dB
    Output Gain Fader -24dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...a no-frills problem solver..." Alex Artoud, Mix Magazine

    iLok authorization required




    MV2

    Dynamics processor

    With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.

    Featuring

    • High level compression
    • Low level compression
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    • Low Level Compression 0 to +48 dB
    • High Level Compression 0 to -48 dBFS
    • Output Gain 0 to -48 dBFS
    • Low Level Gain Meter 0 to +48dB
    • High Level Attenuation Meter 0 to -48dB
    • Output Meter 0 to -60 dBFS
    iLok authorization required




    Waves Tune LT

    Pitch perfect.

    Waves Tune LT is a special edition of Waves Tune which is included with selected bundles covered by Waves Update Plan. It delivers the same great sound as Waves Tune, using an intuitive interface, and simplified controls.

    Featuring

    • Operates in sync and controls host transport using ReWire
    • Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
    • Three timeline modes including bars/beats, minutes/seconds and samples
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Global Controls

    • Reference Pitch 220Hz to 880Hz
    • Formant Corrected/Non-Corrected
    • Pitch Shift Meter -100 cents to 100 cents
    • Timeline and Display Preferences Menu
    Edit Window Controls
    • Piano Roll 2 octave display
    • Select All
    • Clear Selection
    • Auto Scrolling On/Off
    • Horizontal/Vertical Zoom +/-
    • Reset Zoom
    Segmentation Controls
    • RootNote Semi-tone Scale
    • Scale 43 Pre-defined presets
    Edit Tools Note, Zoom Undo/Redo 2 levels Correction Controls>
    • Speed 0ms to 800ms
    • NoteTransition 0ms to 800ms
    • Ratio 0% to 100%
    iLok authorization required




    H-Comp

    Hybrid Compressor

    H-comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

    Featuring

    • Analog modeled release behavior
    • Wet/Dry mix for easy parallel compression
    • Unique transient pass-through punch control
    • Exclusive BPM-sync release function
    • Analog character modes
    • Output limiter/clipper modes
    • External sidechain support




    Controls

    Threshold - 0 to -48 dB
    Ratio - 1 to 50
    Punch – 0 to 30
    Attack - 0.5 to 100 ms
    Release - 3 to 3000 ms | 1/64T to 2 Bar
    BPM (manual) - 30 to 300 BPM
    Mix - (Dry/Wet) 0 to 100
    Sync - BPM/Host/MS
    Analog - Off, Modes 1 to 4
    Limiter - On/Off
    Output - +/- 18 dB
    Meter Mode - InGROut, 0 to -48 dB

    The Waves Hybrid Line is a win-win winner-- get all the great sounds of those old processors without the downside issues." Barry Rudolph, PrpSoundWeb, July 2009

    iLok authorization required




    H-Delay

    Hybrid Delay

    From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.

    Featuring

    • Up to 3500 ms delay time
    • Variable pitch delay time behavior
    • Analog character and LoFi modes
    • Infinite feedback support
    • LFO-controlled pitch modulation
    • Tap Pad for easy delay time setting
    • Sync-to-host or manual BPM
    • HiPass and LoPass filters
    • Full MIDI support




    Controls

    Delay – 1 to 3500 ms or BPM Multiples (note values)
    Delay Sync – Host/BPM/MS
    BPM (manual) – 30 to 300 BPM
    Modulation Depth – 0 to 100
    Modulation Rate – 0.1 to 6000 Hz / Beat
    Ping Pong – On/Off
    Feedback – 0 to 200
    Phase Reverse L/R – In/Out
    LP Filter – 20 Hz to 20 kHz
    HP Filter – 20 Hz to 20 kHz
    LP/HP Filter Link
    Dry/Wet Mix – 0 to 100
    Analog – Off, Modes 1 to 4
    LoFi – On/Off
    Output – +/-18 dB
    Output Meter – -48 to 0 dBFS
    Tap Pad

    The Waves Hybrid Line is a win-win winner-- get all the great sounds of those old processors without the downside issues." Barry Rudolph, PrpSoundWeb, July 2009

    iLok authorization required

     


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