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Diamond
[WAV-DiaN] El paquete Diamond incluye los paquetes Transform, Restoration y Platinum, en formato Native
 
Precio al Público:
$2,749.99+IV
Ahorro COSTAQ:
- $250.00
Precio COSTAQ:
$2,499.99+IV

Cantidad
 
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502




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Waves Diamond

Plug-in Bundle - Native





  • Waves Diamond - Native

    Shine brighter

    A comprehensive collection of audio processing tools, Diamond brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration. Diamond now includes all the plugins found in Waves Platinum, Restoration, and Transform bundles as well as MaxxVolume, L3-LL Multimaximizer, and more. From dynamics, equalization, and reverb to pitch correction, spatial imaging, and beyond, Diamond is a must-have for every serious studio.

    Over 40 Plug-ins:

    L1 Ultramaximizer L2 Ultramaximizer L3 Multimaximizer L3 Ultramaximizer L3-LL Multimaximizer
    L3-LL Ultramaximizer MaxxBass Linear Phase Equalizer Linear Phase Multiband TrueVerb
    S1 Renaissance Axx Renaissance Bass Renaissance Compressor Renaissance Channel
    Renaissance DeEsser Renaissance Equalizer Renaissance Reverb Renaissance Vox C1
    C4 PS22 Stereo Maker MetaFlanger MondoMod DeEsser
    IR-L Doubler Doppler Q10 Paragraphic Equalizer Q-Clone
    AudioTrack Paz Psychoacoustic Analyzer Enigma SuperTap Waves Tune LT
    UltraPitch SoundShifter X-Click X-Crackle X-Hum
    X-Noise Morphoder TransX Transient Sharper MV2 Maxx Volume
    Z-Noise Center H-Comp H-Delay PuigTec EQP-1A
     
    PuigTec MEQ-5 V-Comp



    L1 Ultramaximizer

    Legendary loudness

    The plugin that started it all: Look-ahead peak limiting, level maximization, and high resolution re-quantization in one powerful processor. Ideal for any audio application from multimedia to mastering, the L1 is world-renowned for its transparency and punch.

    Featuring

    • 2 Plugin Components: L1 Ultramaximizer and L1 Ultramaximizer+
    • IDR™ Increased Digital Resolution dither with noise shaping filter
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Input Gain Faders -20dB to 0dB

    Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators

    Output Meter -30dB to 0dB with an integrated

    Output Ceiling control, Peak Hold indicators

    Link Links Threshold and Output Ceiling

    Release 0.01ms to 1,000ms

    Attenuation Meter 0dB to 30dB with peak hold indicator

    IDR™ Controls

    • Quantize None, 24, 20, 16, 12 or 8bit
    • Dither Type 1, 2 or none
    • Shaping Moderate, Normal, Ultra or None
    • Domain Analog or Digital

    "...perfection and simplicity in one... for turnong up the heat in any mix." Randy Alberts - Harmony Central


    L2 Ultramaximizer

    Take it to the limit

    For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

    Featuring

     

    • Manual and ARC™ Automatic Release Control
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    controls

    Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators

    Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators

    Link Links Threshold and Output Ceiling

    Release 0.01ms to 1,000ms

    ARC™ Auto Release Control

    Attenuation Meter 0dB to 30dB with peak hold indicator

    IDR™ Controls

    • Quantize None, 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or none
    • Shaping Moderate, Normal, Ultra, or None

     

    "Plug-ins such as... the L2 have defined the sound of modern software." Marc Cousins, Music Tech Magazine.

     


    L3 Multimaximizer

    All-in-ine masterizing.

    When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

    Featuring

    • PLMixer™ Peak Limiting Mixer Technology
    • Linear Phase EQ for sweet highs and punchy lows
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Master and Individual ARC™ Automatic Release Controls
    • Also includes the L3 Ultramaximizer
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Peak Limiter

    • Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter -30dB to 0dB

    Master Release ARC, Aggressive, Warm, Scaled, Manual

    Master Release Link Links per band release control

    Crossover Controls

    • Low 40Hz – 351Hz
    • Low Mid 150Hz – 2997Hz
    • High Mid 1022Hz – 4757Hz
    • High 4kHz – 16kHz

    Separation 0 to 100

    DynamicLine™ Graph Shows reduction curve -24dB to +12dB, 16Hz to 20kHz

    Frequency Band Marker Graphic control over Frequency, Gain and Priority per band

    Gain -12dB to +12dB per band

    Priority -12 to +12 per band

    Release 0.1ms to 2,500ms per band

    Gain and Priority Link Switch

    IDR™ Controls

    • Quantize 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or None
    • Shaping Moderate, Normal, Ultra, or None

    "An impressive piece of software design...it's powerful yet easy to use"Sam Inglis, Sound On Sound

     


    L3 Ultramaximizer

    All-in-ine masterizing.

    When top mastering engineers sit down behind the board, they need to enhance frequency response and maximize levels while protecting the fidelity of their sources. That’s where the L3 comes in: The world’s first auto-summing multi-band limiter for all-in-one mastering.

    Featuring

    • PLMixer™ Peak Limiting Mixer Technology
    • Linear Phase EQ for sweet highs and punchy lows
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Master and Individual ARC™ Automatic Release Controls
    • Also includes the L3 Ultramaximizer
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Peak Limiter

    • Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter -30dB to 0dB

    Master Release ARC, Aggressive, Warm, Scaled, Manual

    Master Release Link Links per band release control

    Crossover Controls

    • Low 40Hz – 351Hz
    • Low Mid 150Hz – 2997Hz
    • High Mid 1022Hz – 4757Hz
    • High 4kHz – 16kHz

    Separation 0 to 100

    DynamicLine™ Graph Shows reduction curve -24dB to +12dB, 16Hz to 20kHz

    Frequency Band Marker Graphic control over Frequency, Gain and Priority per band

    Gain -12dB to +12dB per band

    Priority -12 to +12 per band

    Release 0.1ms to 2,500ms per band

    Gain and Priority Link Switch

    IDR™ Controls

    • Quantize 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or None
    • Shaping Moderate, Normal, Ultra, or None

    "An impressive piece of software design...it's powerful yet easy to use"Sam Inglis, Sound On Sound

     


    L3LL Multimaximizer

    High volume. Low latency.

    Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL’s PLMixer™ Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5 band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

    Featuring

    • 5-Band crossover with phase-compensated filters
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Complete L3 preset sharing and saving
    • ARC™ Automatic Release Control
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/48 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Peak Limiter

    • Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter -30dB to 0dB

    Master Release ARC, Aggressive, Warm, Scaled, Manual

    Master Release Link Links per band release control

    Crossover Controls

    • Low 20Hz – 350Hz
    • Low Mid 150Hz – 3,000Hz
    • High Mid 1,000Hz – 5,000Hz
    • High 3,000Hz – 11,000Hz

    Separation 0 to 100

    DynamicLine™ Graph Shows reduction curve -24dB to +12dB, 16Hz to 20kHz

    Frequency Band Markers Graphic control over Frequency, Gain and Priority

    Gain -12dB to +12dB per band

    Priority -12 to +12 per band

    Release 0.1ms to 2,500ms per band

    Gain and Priority Link Switch

    IDR™ Controls

    • Quantize 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or None
    • Shaping Moderate, Normal, Ultra, or None

     


    L3LL Ultramaximizer

    High volume. Low latency.

    Presenting the L3-LL, the first multiband peak limiter that lets you maximize your mix, track by track, instrument by instrument. Including the same versatile presets that made the L3 the favorite of engineers the world over, the L3-LL extends the capabilities of the L-Series by leaps and bounds. The L3-LL’s PLMixer™ Peak Limiting Mixer technology maximizes your volume with breathtaking detail, and its 5 band crossover with phase-corrected filters delivers sweet highs and punchy lows. When you need maximum sound with minimum latency and complete control, the choice is clear, loud and clear.

    Featuring

    • 5-Band crossover with phase-compensated filters
    • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
    • Complete L3 preset sharing and saving
    • ARC™ Automatic Release Control
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/48 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Peak Limiter

    • Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
    • Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
    • Attenuation Meter -30dB to 0dB

    Master Release ARC, Aggressive, Warm, Scaled, Manual

    Master Release Link Links per band release control

    Crossover Controls

    • Low 20Hz – 350Hz
    • Low Mid 150Hz – 3,000Hz
    • High Mid 1,000Hz – 5,000Hz
    • High 3,000Hz – 11,000Hz

    Separation 0 to 100

    DynamicLine™ Graph Shows reduction curve -24dB to +12dB, 16Hz to 20kHz

    Frequency Band Markers Graphic control over Frequency, Gain and Priority

    Gain -12dB to +12dB per band

    Priority -12 to +12 per band

    Release 0.1ms to 2,500ms per band

    Gain and Priority Link Switch

    IDR™ Controls

    • Quantize 24, 22, 20, 18, or 16bit
    • Dither Type 1, 2, or None
    • Shaping Moderate, Normal, Ultra, or None
    iLok authorization required

     



    MaxxBass®

    Your bass just got bigger

    When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®.

    Featuring

  • Extends perceived bass response by up to 1.5 octaves
  • Preserves the dynamic range and character off the original bass
  • Mixed Output, MaxxBass, and Original bass monitoring
  • Up to 24bit 192kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible




  • Controls

    Cutoff Frequency Fader 32Hz to 256Hz

    Ratio 1.00:1 to 4.00:1

    Response 10ms to 30ms

    High Pass Filter Slope 6dB/oct, 12dB/oct, and 24dB/oct

    Decay -24dB to -9dB

    Input Gain Fader -inf. to 0dB

    Original Bass Fader –inf. to +12dB

    MaxxBass Fader –inf. to +12dB

    Output Meter -40dB to 0dB with peak hold and clip indicators

    Monitor Section Audio, MaxxBass and Original Bass

    "...amazing, mud-free, kick-ass bass, even from small speaker system..." Randy Alberts, Harmony Central

    iLok authorization required




    Linear Phase Equalizer

    Amazingly transparent. Pinpoint accurate.

    Conceived and created with Mastering in mind, Linear Phase EQ preserves your original musical balance while providing precision control over the harmonic spectrum with absolutely zero phase shift.

    Featuring

    • 2 Plugin Components: Lowband component and Broadband component
    • Nine linear phase filter types
    • Five bands of paragraphic equalization, plus dedicated low frequency band
    • +/- 30 dB per band gain change range
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain -30dB to +30dB per band

    Frequency

    • Low Frequency Band
      10Hz to 600Hz (Lowband)
      21Hz to 1,000Hz (Broadband)
    • Mid and High Frequency Bands
      32Hz to 600Hz (Lowband)
      258Hz to 21,963Hz (Broadband)

    Filter Type

    • Lowband Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf
    • Broadband Low Frequency Bell, Low Shelf, High Shelf, Low Pass, and High Pass
    • Broadband Mid and High Frequency Bell, Resonant Low Shelf, V-Slope Low Shelf, Resonant High Shelf, V-Slope High Shelf, Resonant High Pass, V-Slope High Pass, Resonant Low Pass and V-Slope Low Pass

    Q

    • Lowband 0.26 to 6.5
    • Broadband Low Frequency 0.60 to 2
    • Broadband Mid and High Frequency 0.26 to 6.5

    On/Off Per Band

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Trim Output gain adjustment

    Dither On/Off

    Graph Scale 12dB or 30dB

    Frequency Band Markers Graphic control over Frequency and Gain

    "...ideal for critical mastering..." Martin Walker, Sound On Sound

    iLok authorization required

     


    Linear Phase Multiband

    Crystal clear multiband compression

    Utilizing unique technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters, Linear Phase Multiband features five user-definable bands with linear phase crossovers for phase distortion-free Multiband Compression.

    featuring

    • 5 discrete bands
    • ARC™ Automatic Release Control
    • Double precision bit resolution processing
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Xover

    • Low 40Hz – 350Hz
    • Low-Mid 150Hz – 3,000Hz
    • High-Mid 1kHz – 8kHz
    • High 4kHz – 16kHz

    Threshold 0dB to -80dB Per band

    Gain -18dB to +18dB Per band

    Range -24dB to +18dB Per band

    Attack 0.5ms to 500ms Per band

    Release 5ms to 5000ms Per band

    Solo per band

    Bypass per band

    Master Link Controls Threshold, gain, range, attack and release

    DynamicLine™ Graph Shows reduction curve -18dB to +18dB, 16Hz to 20kHz

    Frequency Band Marker Graphic control over Frequency/Gain per band

    Dither On/Off

    Makeup Manual or Auto makeup gain

    Adaptive -80dB to +12dB

    Release ARC or Manual

    Behavior Opto or Electro

    Knee Soft to Hard, 0.01 to 1.00

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Trim Output gain adjustment

    "...subtle control and transparency..." Martin Walker, Sound On sound

    iLok authorization required

     



    TrueVerb

    Real Room Emulation

    Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

    featuring

     

    • Thru and Send modes
    • Independent and Linked distance and reverb modes
    • Time and Frequency Response graphic interface
    • Up to 24bit, 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    controls

    Decorrelation

    • Early Reflection Variation 0 to Variation 6
    • Reverb variations 0 and 1


    Dimension 1.00 to 3.99

    Room Size 50m3 to 20,000m3

    Distance 0.5m to 40m

    Link Links the Reverb, Room Size and Pre-delay parameters

    Balance -48dB to +12dB

    Decay Time 0.2s to 100s

    Pre-delay 10.5ms to 160ms

    Density 0.000 to 1.000

    Room-Size/Distance Markers Graphic control over Size and Distance

    ER Low Cut 16Hz to 512Hz

    ER Low Cut Bypass

    Reverb High Shelf -12dB to 0dB

    ER Absorb -6dB to 0dB

    Frequency 1,600Hz to 21,000Hz

    Reverb Damping

    • Low 16Hz to 1,600Hz
    • Low Ratio 0.10 to 2.00
    • High 1,600Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Marker Graphic control over Frequency and Gain per band
    Input Gain -inf. to 0dB

    Output Mix

    • Direct -24dB to 0dB with On/Off switch
    • Early Reflections -24dB to 0dB with On/Off switch
    • Reverb -24dB to 0dB with On/Off switch
    Output Meter -24dB to 0dB with peak hold and clip indicator
    iLok authorization required





    S1 Stereo Imager

    all natural Spread

    Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

    Featuring

     

    • 3 Components: Shuffler, Imager, and MS Matrix
    • Left/Right and MS io modes and metering
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible





    Controls

    Gain -24dB to 0dB

    Width 0.0 to 3.0

    Shuffle 1.0 to 3.0

    Frequency 350Hz to 1400Hz

    Input Mode M/S or L/R

    Left/Right Phase +/-

    Input Channel Swap

    Bass Trim -3dB to +3dB

    Asymmetry -90° to +90°

    Rotation -45° to +45°

    Output Mode MS or L/R

    Output Meter -24dB to 0dB with peak hold and clip indicators

    Stereo Image Graph Graphic control over all image parameters

    "I always use the S1 to make the drums wider than the speakers." Chris Shaw, Producer / Engineer Bob Dylan, Sheryl Crow, Weezer, Wilco, Public Enemy, Ice Cube
    ...an excellent tool for subtle stereo-field correction on master recordings." Alex Artoud, Mix Magazine






    Renaissance Axx

    Plug it in. Turn it up.

    Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

    Featuring

     

    • Streamlined 3 parameter control
    • Ideal for guitar and bass
    • Double precision bit resolution processing </ span <>
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold -60dB to 0dB

    Input Meter -60dB to 0dB

    Attack 0ms to 50ms

    Attenuation Meter 0dB to -30dB

    Output Gain Fader -30dB to 0dB

    Clip-Guard Output Limiter

    Output Meter -60dB to 0dB with peak hold and clip indicators



    Renaissance Bass

    MaxxBass®. REnaissance interface.

    Renaissance Bass delivers Waves patented MaxxBass® psycho-acoustic technology using simplified controls for quick, intuitive operation. Tightening up your bass has never been easier!

    Featuring

    • Extends perceived bass response by up to 1.5 octaves
    • Delivers bigger bass for any system
    • Clip-free performance
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Frequency Cutoff 32Hz to 256Hz

    In/Out Adds or removes the original bass from the output signal

    Original Bass Meter -30dB to 0dB

    Harmonic Intensity -24dB to +24dB

    Harmonics Meter -30dB to 0dB

    Output Gain Fader -30dB to 0dB

    Output Meter -30dB to 0dB with numeric peak hold and clip indicato

    "Beef up the bass..."musictechmagazine.co.uk

    iLok authorization required

     




    Renaissance Compressor

    Analog Punch. Digital precision.

    Featuring a streamlined, optimized interface, the Renaissance Compressor delivers classic warm compression and expansion utilizing technologies from our renowned C1 Parametric Compander and the legendary L1 Ultramaximizer™.

    FEaturing

     

    • Vintage Opto and modern Electro compression modes
    • Internal brickwall limiting for clip-free output
    • ARC™ Auto Release Control for increased RMS levels
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    ARC™ Automatic Release Control or Manual

    Compressor Behavior Opto or Electro

    Character Warm or Smooth

    Input Meter -60dB to 0dB with peak hold indicators

    Threshold -60dB to 0dB

    Ratio 0.50:1 to 50.00:1

    Attenuation Meter -20dB to +6dB with peak hold

    Attack 0.5ms to 500ms

    Release 5ms to 5,000ms

    Output Gain -30dB to +30dB

    Output Meter -60dB to 0dB with peak hold and clip indicators

    Clip-Guard Output Limiter

    "No other plug-in can compete with Rencomp for transparency..." Ted Spener, Pro Audio Review

    iLok authorization required



    Renaissance Channel

    Vintage excellence, times four.

    A precision channel strip combining the finest equalization, compression, limiting, and gating in one convenient plugin, Renaissance Channel is a complete audio mixing chain that delivers unsurpassed flexibility and performance.

    Featuring

    • 4 processors in 1
    • Independent Gate and Compression
    • Double precision bit resolution
    • Selectable EQ/Dynamics signal flow
    • Stereo Rotation control
    • Up to 192kHz sample rate (TDM up to 96kHz)
    • Mono, Mono-to-Stereo, and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    4-Band Paragraphic

    • EQ On/Off Switch per band and for the EQ module
    • Filter Type Bell, Resonant Low/High Shelf, Low/High Pass
    • Gain -18dB to +18dB per band
    • Frequency 16Hz to 21,357Hz per band
    • Q 0.26 to 6.50 per band
    • Frequency Band Marker Graphic control over Frequency and Gain per band

    Routing Switch EQ>Dynamics, Dynamics>EQ

    Gate/Compressor Sidechains

    • Source Internal, Pre-EQ or External
    • On/Off Filter Activate
    • Filter Type Hi Pass, Band Pass, Low Pass and Band Reject
    • Frequency 16Hz to 21,357Hz
    • BW (Q) 0.10 to 8.00
    • Listen Monitor the sidechain signal
    • Energy Meters Displays the sidechain signal level, integrated Threshold control

    Compressor/Expander

    • RVox or RComp Dynamic behavior
    • On/Off Switch
    • Threshold -60dB to +18dB
    • Ratio 0.50:1 to 50.0:1
    • Attack 0.00ms to 500ms
    • Release 5.00ms to 5,000ms
    • ARC Manual or Auto

    Expander/Gate

    • Gate or Exp Dynamic behavior
    • On/Off Switch
    • Threshold -inf. to +18dB
    • Floor -inf. to 0dB
    • Release 10ms to 5,000ms

    Overall Attenuation Meters -Inf. to +6dB

    Output Gain Fader -30dB to +30dB

    Clip-Guard Output Limiter

    Output Meter -30dB to 0dB with peak hold and clip indicators

    Phase Inversion Switch

    Rotation -45° to +45°

    "Once you've tried it, you may find it hard to live without it!" Sound On Sound

    iLok authorization required


    Renaissance DeEsser

    Shush the shh.

    Nothing ruins a great vocal track like excess “ess” and “shh” sounds. The solution is Renaissance DeEsser, a state-of-the-art sibilance attenuator which reduces undesirable high frequencies while preserving the integrity of your source. With a variety of presets for both male and female voices, Renaissance DeEsser makes it simple to zero in on the problem spots and clean them up with accuracy and ease.

    Featuring

  • Ideal for tracking, mastering, live sound, and broadcast
  • Adaptive Threshold and Adjustable Gain Reduction
  • Phase compensated crossover
  • Audio or Side-chain monitoring
  • Double precision bit resolution processing
  • Up to 24bit 192kHz resolution (TDM 24/192 Mono only)
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible


  • Controls

    Frequency 2kHz to 16kHz

    Filter Type High Pass or Band Pass

    Compression Mode Split or Wideband

    Range 0dB to –48dB

    Threshold 0dB to –80dB

    Monitor Audio or Sidechain

    Output Meter -40dB to 0dB with peak hold and clip indicators

    iLok authorization required

     



    Renaissance Equailzer

    Analog warmth. Paragraphic control.

    Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile Paragraphic EQ with warm, analog-style sound.

    Featuring

    • 2, 4, and 6 band versions
    • Filter-curves based on vintage analog equalizers
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    Controls

    Gain -18dB to +18dB per band
    Frequency 16Hz to 21,357Hz per band
    Q Factor 0.26 to 6.5 per band
    Filter Types Asymmetric Bell, Resonant Hi/Low Shelf, Hi/Low Pass per band
    In/Out Switch per band
    Frequency Band Marker Graphic control over Frequency and Gain per band
    Output Gain Fader -24dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators
    Trim Output gain adjustment
    Link Left+Right, Left or Right

    "Sheer sonic splendor..." Harmony Central

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    Renaissance Reverb

    Classic sound. Precision controls.

    With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.

    featuring

     

    • 12 reverb types
    • De-correlation for subtle early reflections changes and fine tuning
    • Negative Predelay value delays the dry signal
    • Up to 24bit 96kHz resolution (TDM 24/96 Compact component only)
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    controls

    Damping Controls

    • Low Freq 16Hz to 1,600Hz
    • Low Ratio 0.10 to 2.00
    • High Freq 1,000Hz to 21,000Hz
    • High Ratio 0.10 to 2.00
    • Frequency Band Marker Graphic control over Frequency and Ratio per band
    Reverb Type Hall1, Hall2, Room, Chamber, Church, Plate1, Plate2, Reverse, Gated, Non-Linear, EchoVerb and ResoVerb
    Decorrelation Variation 0 to 6
    EQ Controls
    • Low Freq 16Hz to 1,600Hz
    • Low Gain -24dB to +12dB
    • High Freq 1,000Hz to 21,000Hz
    • High Gain -24dB to +12dB
    • Frequency Band Marker Graphic control over Frequency and Gain per band
    Pre-delay -160ms to +160ms
    Time 0.1s to 20s
    Size 1 to 100
    Diffusion 0 to 100
    Decay 0.04 to linear
    Early Reflections Off to 0dB
    Reverb Off to 0dB
    Wet/Dry 0% to 100% wet
    Gain -24dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "Hands down, one of the best reverb plug-ins avaliable today." Mix Magazine

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    Renaissance Vox

    Smooth sound. Vivid vocals.

    A uniquely powerful dynamics processor optimized especially for vocal tracks, Renaissance Vox features simple streamlined controls for compression, gate/expansion, limiting, and level maximization.

    Featuring

    • Soft-knee compressor with auto make-up gain
    • Gentle downward expander for noise gating
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Gate Threshold -inf. to 0dB

    Input Energy Meter -80dB to 0dB with peak hold indicators

    Comp 0dB to -36dB

    Attenuation Meter -36dB to 0dB

    Output Gain -36dB to 0dB

    Output Meter -40dB to 0dB with peak hold indicators

    Clip-Guard Output Limiter

    "...warmth that suggest classy vintage gear..." Sound On Sound

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    C1 Parametic Compander

    The ultimate dynamics processor

    With compression, expansion, gating, and equalization, the C1 Parametric Compander is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

    Featuring

     

    • 3 Plugin Modules: Compressor/Expander, Gate/Expander, Filter/EQ
    • Split-band dynamics
    • Internal side-chaining
    • External side-chaining (Pro Tools only)
    • Look-ahead feature for precision transient processing
    • Up to 24bit 192kHz resolution (Compressor and Gate only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Compressor/Expander

    • Bypass Enables or disables the module
    • LowRef Mode Low Level Reference Conventional compressor operating mode
    • PeakRef Mode Peak Level Reference Preserves peak levels (auto makeup gain)
    • Make-up Gain -40dB to +40dB
    • Threshold -100dB to 0dB
    • Ratio 1:1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
    • Cancellation Mode -50:1 to -5:1 to cancel out very loud signals
    • Attack 0.01ms to 1,000ms
    • Release 1ms to 10,000ms
    • PDR Program Dependant Release
    • EQ Mode Wideband, Sidechain or Split
    • Gain Reduction Meter -36dB to +24dB
    • Control Level Meter -100dB to 0dB
    Gate/Expander
    • Bypass Enables or disables the module
    • Gate/Expander Control Switches between Gate and Expander modes
    • Floor -inf. to +12dB (Gate/Expander mode), -100N to -10N negative polarity (Expander mode)
    • Gate Thresholds Gate Open and Gate Close
    • Attack 0.01ms to 1,000ms
    • Release 1ms to 10,000ms
    • Hold 0.01ms to 5,000ms
    • EQ Mode Wideband, Sidechain or Split
    • Gain Reduction Meter -108dB to +12dB
    • Control Level Meter -100dB to 0dB
    Parameter Linking Links the Compressor/Expander and Gate/Expander controls
    Filter/EQ
    • Two Complementary Bands Active/Sidechain path, and passive path
    • Crossover Slope 18dB/octave to 36dB/octave
    • Type Band-Pass, Band-Reject, Hi-Pass and Low-Pass
    • Frequency 16Hz to 21Khz
    • Q 0.1 to 0.6
    Lookahead Yes/No Key Mode Stereo, Left keys Right, Right keys Left
    Monitor Audio, Sidechain or Passive
    Output Gain Fader -40dB to +18dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "Seminal... set the standard" proaudioreview.com

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    C4 Multiband

    compress to impress

    The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

    Featuring

    • 4 parametric bands
    • ARC™ Auto Release Control
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible






    Controls

    Input Gain Fader –inf. to 0dB
    Range -24dB to +18dB per band
    Gain -18dB to +18dB per band
    Attack 0.5ms to 500ms per band
    Release 5ms to 5,000ms per band
    Threshold -80dB to 0dB per band
    Energy Level Meter -80dB to 0dB per band
    Solo per band Bypass per band
    DynamicLine™ Graph Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
    Frequency Band Marker Graphic control over Frequency/Gain per band
    Master Controls Global control of threshold, gain, range, attack and release settings
    Release Type ARC™ or Manual
    Behavior Opto or Electro
    Knee Type Soft to Hard, 0.00 to 0.75
    Crossover

    • Low 40Hz – 250Hz
    • Mid 100Hz – 5993Hz
    • High 2kHz – 16kHz
    Q 0.1 to 0.75
    Output Gain Fader -18dB to +18dB
    Output Meter -80dB to 0dB with peak hold and clip indicators

    "tremendously powerful tool Dave Pensado

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    PS22 Stereo Maker

    Because two channels are better than one.

    Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for Mono-to-Stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

    Featuring

    • 3 components: PS22-Spread, PS22-Split, and PS22-XSplit
    • Psycho-acoustic spatial enhancement and phase-compensation
    • Retains mono compatibility
    • Preserves original frequency response
    • Left/right or MS meter monitoring
    • Up to 24bit 192kHz resolution
    • Mono-to-Stereo and Stereo components
    • PC and Mac compatible
    • TDM only




    Controls

    Input Gain Fader –24dB to 0dB
    Width 0.0 to 1.0
    Rotation -45° to +45°
    Spread Graph Stereo Vector Display
    Spread 0.0 to 1.0
    Freq 32Hz to 16,384Hz
    Shape 0.00 to 1.25
    Delay 5ms to 20ms
    XFeed 0.0 to 1.0
    LFSpread 0.0 to 3.0
    FCenter 80Hz to 15,262Hz
    FDensity -0.85 to 0.85
    Tweak -0.85 to 0.85
    Sweeps 2 to 10
    L/R or M/S Monitoring of the stereo effect
    Output Meter -30dB to 0dB with peak hold and clip indicators

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    MetaFlanger

    Get swept away.

    There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation - until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

    Featuring

    • Tape delay emulation switch
    • LFO depth and waveform display
    • Modulation Stop switch to freeze the LFO
    • Extensive presets including emulations of vintage gear
    • Tempo sync
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Mix 0% to 100%
    Mix Phase Wet signal phase inversion on/off
    Feedback 0% to 100%
    Feedback Phase Phase inversion on/off
    Filter Type Low Pass or High Pass
    Filter Frequency 0.1kHz to 20kHz
    Filter On/Off
    Delay 0.1ms to 50ms Tape Wet/Dry signals delay alignment
    Modulation Rate 0Hz to 20Hz
    Tempo Sync Manual or Auto
    Modulation Depth 0% to 100%
    Link Links Modulation Rate and Depth controls
    Waveform Sine or triangle
    Modulation Meter Graphic display of Rate and Depth
    Stop Freezes the modulation effect
    Stereo 0° to 180°
    Output Gain Fader -12dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...The ideal and all-encompassing flanger for the guitarist."Trax music

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    MondoMod

    Modulation, from mild to wild

    MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

    • 3 Main Modules: AM (tremolo), FM (vibrato) and Rotation (panning)
    • LFO with 5 selectable waveforms
    • Tempo Sync
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Tempo Sync Manual or Auto
    Modulation Rate Hz 0.01Hz to 60Hz (Disabled when Sync is in Auto mode)
    Modulation Rate BPM 0.5bpm to 3600bpm (Disabled when Sync is in Auto mode)
    X-Factor Modulation Multiplier, 0.25 to 100
    Waveform Sine, Square, Saw Up, Saw Down or Triangle
    AM Depth Fader 0% to 100%
    AM Meter Graphic display of Rate and Depth
    AM On/Off Enables or disables AM module
    AM Phase 0°, 90°, 180° and 270° (Applied to modulation only)
    Rotation Center -180° to +180°
    Rotation Range 0° to 360°
    Rotation Meter Graphic display of Center position and Range
    Rotation On/Off Enables or disables AM module
    FM Depth Fader 0% to 100%
    FM Meter Graphic display of Rate and Depth
    FM On/Off Enables or disables AM module
    FM Phase 0°, 90°, 180° and 270° (Applied to modulation only)
    Output Gain -12dB to +12dB Mix 0% to 100%
    Output Meter -30dB to 0dB with peak hold and clip indicators

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    DeEsser

    Less ess.

    When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

    Featuring

  • Sharp side-chain filters
  • Wide-band or Split compression modes
  • Audio or Sidechain monitoring
  • Up to 24bit 192kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible


  • Controls

    Audio Split or Wideband modes
    Frequency 2,000Hz to 16,000Hz Cutoff frequency for the sidechain filter
    Sidechain Filter Type High Pass or Band Pass
    Monitor Audio or Sidechain
    Threshold -80dB to 0dB integrated with the Input Energy Meter
    Attenuation Meter -30dB to 0dB with peak hold indicator
    Output Meter -30dB to 0dB with peak hold indicator

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    IR-L

    Real spaces. Realtime control.

    When you need to recreate the authentic sound of actual acoustic spaces, there’s no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

    Featuring

  • RT60 extends reverb time up to four times while preserving natural
    envelope and frequency content
  • Over 100 Impulse Responses
  • Upgradeable to IR1 or IR360°
  • Double precision bit resolution processing
  • Up to 24bit 96kHz resolution
  • Mono, Mono-to-Stereo and Stereo components
  • Supports RTAS, Audio Suite, VST, AU.
  • PC and Mac compatible




  • Controls

    CPU Mode Full CPU or Low CPU
    IR Graph

    • Gain and Time -90dB to 0dB, 0s to 10s
    • Zoom In and out on the time axis
    • Zoom Reset Defaults to 6s display
    Reverb Time Section
    • Convolution Start 0s to 1s
    • Convolution Length 0s to 6s
    • RT60 Indicator 0.1s to 10s
    • Ratio 0.25 to 1.00
    Latency Shows the current latency in ms
    Dry 0ms to 30ms delay of the dry signal
    Dry/Wet 0% to 100%
    Crosstalk 0 to 100 (IR-L Efficient module only)
    Direct On/Off
    Direct Pre-delay 0ms to 500ms
    Output Gain Fader -50dB to 0dB
    Output Meter -30dB to 0dB with peak hold and clip indicators
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    Doubler

    Fatten up your tracks.

    When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

    Featuring

    • 2 Plugin Components: Two-Voice and Four-Voice
    • Up to 24bit 192kHz resolution (TDM 24/96 2-Voice M and M-to-S only)
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain -48dB to 0dB per voice and for the direct signal
    Pan -45° to +45° per voice and for the direct signal
    Align Delays the direct signal according to the latency of the voices
    FB High Pass Filter 16Hz to 21,357Hz
    Range 20Hz or 80Hz detune frequency boundary
    Modulation Reset Resets Rate and Depth values
    Delay 0ms to 100ms per voice
    Feedback 0% to 100% per voice
    Octave On/Off (Shifts the voice one octave down)
    Detune -100 to +100 cent
    Depth -200 to +200 cent
    Rate 0.1Hz to 400H
    Low Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    High Shelf Filter -88dB to +12dB, 16Hz to 21,357Hz
    Output Gain Fader -24dB to 0dB
    Output Meters -30dB to 0dB, with peak hold and clip indicators
    In 1 - 3 L, L+R, L-R. Input signal for voices 1 and 3
    In 2 - 4 R, R+L, R-L. Input signal for voices 2 and 4

    "The results are stunning... its clean sound combined with the chorusing effects... are a dream" Bob dorman, Music Tech Magazine

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    Doppler

    In one ear. Out the other.

    Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

    Featuring

    • Auto-detection or manual triggering
    • Creative click and drag simplicity
    • Energy, Manual, Continuous Cycling and One-shot modes
    • Reverb with Time and Brightness controls
    • Up to 24bit 48kHz resolution
    • Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Gain Modulation 0% to 200%
    Pan Modulation 0% to 200%
    Pitch Modulation 0% to 200%
    Air Damping 0% to 200% high frequency damping
    Reverb 0% to 200% reverb level mix
    Reverb Time 0.1s to 10s
    Brightness Dark to Bright, 0.0 to 1.0
    Bypass for Gain, Pan, Pitch, Air Damping, and Reverb
    Graphic Display Controls Direction arrows, Start/End position marker, Movement Curve, Elapsed time
    Mode Continuous or One-shot
    Trigger Energy or Manual
    Track Time 0.5s to 60s
    Center Time 0s to 30s
    Output Gain Fader -12dB to +12dB
    Output Meter -100dB to 0dB

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    Q10 Paragraphic Equalizer

    Total tonal control.

    The world's very first paragraphic EQ, the Q10 delivers precision equalization for mixing and mastering alike. With power and features that far surpass the capabilities of analog, the Q10 lets you create special effects and spectral modifications that range from subtle to extreme.

    Featuring

    • 7 Plugin Components 1, 2, 3, 4, 6, 8 and 10 bands
    • Separate or Linked processing and parameter control
    • Advanced noise-shaping for optimum fidelity
    • Presets for Multimedia, Pseudo-stereo, Band Limiting, Comb Filtering,
      Crossovers, Hum Removal, and More
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Input Gain Fader -24dB to 0dB
    Input Phase Invert +/-
    On/Off Switch per band
    Filter Type Band Pass, Low Shelf, High Shelf, Low Pass and High Pass per band
    Gain -18dB to +18dB per band
    Frequency 16Hz to 21,357Hz per band
    Q 0.5 to 100 per band
    Frequency Band Markers Graphic control over Frequency and Gain per band
    Output Gain Fader -24dB to +12dB
    Trim Output gain adjustment
    Output Meter -30dB to 0dB with peak hold and clip indicators
    Control Mode Link Left + Right, Left Only, Right Only

    "...top-quality results... could well become the benchmark for software equalisation..." Janet Harniman - Cook, SOS

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    AudioTrack

    One plug-in. Three essential processors.

    AudioTrack gives you the power of three complete Waves processors in one, easy-to-use plugin. With equalization, gating, and compression, it's ideal for multimedia, voiceovers, project studios, and more.

    Featuring

    • Peak reference compression with automatic gain compensation
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Input Gain Fader –inf. to 0dB
    4-Band EQ

    • On/Off Switch per band
    • Type High Pass, Low Shelf, Bell, High Shelf and Low Pass filter types per band
    • Gain -18dB to +18dB per band
    • Frequency 16Hz to 21,357Hz per band
    • Q 0.5 to 30 (bell filter only)
    Compressor/Expander
    • Threshold -52dB to 0dB
    • Ratio 0.5:1 to 40:1
    • Attack 0.1ms to 1,000ms
    • Release 1ms to 10,000ms
    Gate
    • Threshold –inf. to 0dB
    • Floor –inf. to 0dB
    • Attack 0.1ms to 1,000ms
    • Release 1ms to 10,000ms
    Input Energy Meter -80dB to 0dB, Post EQ including compressor and gate threshold indicators
    Attenuation/Expansion Meter -48dB to +12dB
    Output Gain Fader -24dB to +12dB
    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...a no-frills problem solver..." Alex Artoud, Mix Magazine

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    PAZ Analyzer

    Hear it. See it. Believe it.

    Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and Peak/RMS levels.

    Featuring

    • 3 Plugin Components: Position, Frequency and Meter components
    • Peak or RMS frequency analysis modes
    • L/R peak and RMS displays, with individually re-settable peak hold values
    • Optional resolution in 10Hz steps for precise analysis below 250Hz
    • 52 or 68 band analysis
    • Save Graphic output to memory
    • Save results as text file
    • Real-time vector display with zoom
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    LF Resolution 40Hz, 20Hz and 10Hz
    Weight Un-weighted, dBA, dBB or dBC
    Freeze Freezes the display
    Show L and R independently, or L+R (summed)
    Peak Hold On/Off
    Clear Clears the peak hold
    Detect Peak or RMS
    Response 50ms to 5,000ms
    Frequency Gain Graph -80dB to 0dB, 6Hz to 20,660Hz
    Navigate Scrolls the screen when zoomed in
    Zoom Horizontal and Vertical +/-
    Reset Zoom
    Phase Graph -80dB to 0dB, -90° to +90°
    Output Meter L/R Peak Meter -40dB to 0dB with peak hold and clip indicators
    Summed Loudness Meter (L + R -6dB) -40dB to 0dB

    "..an excellent diagnostic tool..." Alex Artaud, Mix Magazine

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    Enigma

    Modulate. Transform. TRascend

    Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

    Featuring

    • 3 Plugin Modules: Notch, Modulator, and Feedback
    • Tempo Sync
    • Up to 24bit 192kHz resolution
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Notch

    • Notches 1 to 6 pairs (2 to 12)
    • +1/2 Adds half a pair of notches to the high-end
    • Phase Polarity reverse switch
    • Depth 0 to 200
    • Stereo 0 to 100
    • On/Off per filter
    Notch Filters
    • Graph Markers for Frequency and X-Factor adjustment
    • Frequency
      Lowband filter 16Hz to 16kHz,
      Highband filter 16kHz to 21kHz
    • X-Factor filter slope 0.10 to 2.00
    Modulator
    • Modulation Play or Pause Sync Auto or Manual
    • Waveform Sawtooth up, Sawtooth down, Triangle, Sine and Square
    • Rate 0.01s to 20s
    • BPM 0.6bpm to 1,200bpm
    • Min/Max Frequency 16Hz to 21,357Hz
    Feedback
    • Feedback On/Off switch for the feedback component
    • Phase Polarity reverse switch
    • Decay Time 10ms to 5000ms
    • Delay 0.01ms to 200ms
    • Density 0 to 100
    Feedback Filters
    • Graph Markers for Frequency and X-Factor adjustment
    • Frequency
      Lowband filter 16Hz to 16kHz,
      Highband filter 16kHz to 21kHz
    • X-Factor filter slope 0.10 to 2.00
    Gain -24dB to 0dB
    Mix 0% to 100%
    Pre-Delay 0ms to 200ms
    Wet output mode; Stereo, Mono, and Mono + phase reverse
    Output Meter -30dB to 0dB, with peak hold and clip indicators
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    SuperTap

    analog style. digital precision.

    Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

    Featuring

  • 2-Tap and 6-Tap components
  • Tap-Pad for tempo tapping or pattern switching
  • Global LFO modulation and 2 feedback modes
  • Spatial positioning vector display
  • Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
  • Mono, Mono-to-Stereo and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible




  • Controls

    Tempo

    • BPM 40BPM to 1200BPM
    • MS 50ms to 1,500ms
    • Tap Pad Manual Tap input
    • Tap Pad Mode Tempo or Pattern
    • Sync Auto or Manual
    Modulation
    • On/Off Switch
    • Sync Manual or Tempo
    • Rate 0Hz to 20Hz
    • Depth 0ms to 10ms
    On/Off Switch for Direct Signal, Taps and Feedback

    Direct Signal Gain -42dB to 0dB

    Tap Gain -48dB to 0dB

    Feedback Amount 0% to 100%

    Rotate -45° to +45° of Direct Signal, Taps and Feedback

    Taps and Feedback Delay Sliders 0ms to 5,944ms or by Tempo Grid

    Feedback Mode Normal or Tap

    Snap On/Off snap to grid

    Grid resolution Free, Quarters, Quarter Triplets, Eighths, Eighth Triplets and Sixteenths

    Grid Mode BPM or ms
    EQ
    • On/Off Switch per Taps and Feedback
    • Tap Filter Type Bell1, Bell2, High Shelf, Low Shelf, High Pass and Low Pass
    • Feedback Filter Type include Low Pass, Low Shelf and Low Decay
    • Frequency 0.1kHz to 20kHz per Taps and Feedback
    • Gain -12dB to +12dB for Taps; -12dB to 0dB for Feedback
    Output Gain Fader -12dB to +12dB

    Output Meter -30dB to 0dB with peak hold and clip indicators

    "...every function you could wish for in a delay Bob Dorman, Music Tech Magazine

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    Waves Tune LT

    Pitch perfect.

    Waves Tune LT is a special edition of Waves Tune which is included with selected bundles covered by Waves Update Plan. It delivers the same great sound as Waves Tune, using an intuitive interface, and simplified controls.

    Featuring

    • Operates in sync and controls host transport using ReWire
    • Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
    • Three timeline modes including bars/beats, minutes/seconds and samples
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Global Controls

    • Reference Pitch 220Hz to 880Hz
    • Formant Corrected/Non-Corrected
    • Pitch Shift Meter -100 cents to 100 cents
    • Timeline and Display Preferences Menu
    Edit Window Controls
    • Piano Roll 2 octave display
    • Select All
    • Clear Selection
    • Auto Scrolling On/Off
    • Horizontal/Vertical Zoom +/-
    • Reset Zoom
    Segmentation Controls
    • RootNote Semi-tone Scale
    • Scale 43 Pre-defined presets
    Edit Tools Note, Zoom Undo/Redo 2 levels Correction Controls>
    • Speed 0ms to 800ms
    • NoteTransition 0ms to 800ms
    • Ratio 0% to 100%
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    UltraPitch

    Perfect harmony

    When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

    Featuring

     

    • 3 Plugin Modules: Shift, 3-Voice and 6-Voice
    • Pitch Detector and Voice Character graphs
    • Random asynchronicity using Animation Amount control
    • Linked or Free formant correction curves
    • Up to 24bit 48kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Input Gain Fader -24dB to 0dB

    Input Gain Meters -30dB to 0dB with peak hold and clip indicators

    Animation 0ms to 100ms

    Voice Section

    On/Off per voice and global
    Gain -24dB to 0dB per voice and global
    Pan -45° to +45° per voice and global
    Delay 0ms to 100ms per voice and global (Live mode on TDM)
    Pitch -Octave to Octave per voice
    Formant -12 to 12 per voice
    Voice Markers Graphic control over Pan, Pitch and Format
    Pitch and Formant Link modes Free, Voice, Song, Brass, Woods, Strings, Linear and Inverted

    Pitch Detector Section

    Scrolling Speed Slow to Fast
    Min Pitch Limiter 35Hz to 800Hz
    Max Pitch Limiter 100Hz to 1200Hz
    Detection Mode Default, Voice Steady, Voice Stressed, Voice Opera, Music Steady, Clear Tones and Bass

    "...amazing, mud-free, kick-ass bass, even from small speaker system..." Randy Alberts, Harmony Central

    iLok authorization required

    SoundShifter

    Time and Pitch, transformed.

    The world’s most advanced pitch-shifting and time-shifting processor, SoundShifter lets you change keys, change tempos, change durations, and manipulate the time-pitch continuum with unmatched accuracy and clarity. For tonal transformation and transposition, SoundShifter is simply all you'll ever need.

    Featuring

  • 3 Components: Parametric, Graphic, and Real-time
  • Punchy, smooth, transient, and sync modes
  • Multiple link, display, and control options
  • Time, Tempo, Bars, Samples, SMPTE, Feet & Frames, Pitch, Interval, and Frequency controls
  • support Pro Tools TCE
  • Up to 24bit 96 kHz resolution
  • Mono and Stereo components
  • PC and Mac compatible
  •  





    Controls

    Parametric Component

    Global Controls

    • SMPTE Format 24fps,25fps, 29.97fps, 29.97fpsDrop, 30fps, 30fpsDrop
    • Meter Musical time signature 4/1, 4/2, 4/4, 4/8, 4/16, 4/32
    • Mode Transient, Smooth, Sync and Punch
    • Reference Link Mode Unlinked, Time, Pitch and Strapped

    Time Controls

    • Bypass On/Off
    • Ratio 0.5 to 2.0
    • Source/Destination Table Input Value for Time, Tempo, Bars, Samples, SMPTE and Feet+Frame

    Pitch Controls

    • Bypass On/Off
    • Ratio 0.5 to 2.0
    • Semitones -12 to +12
    • Cents -99 to 99
    • Interval +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison
    • Reference Frequency source and destination value

     

    Pitch Component

    Ratio 0.5 to 2.0

    Semitones
    -12 to +12

    Cents
    -99 to 99

    Interval
    +/-Octave, +/-7th Maj, +/-7th Min, +/-6th Maj, +/-6th Min, +/-5th, +/-Tritone, +/-4th, +/-3rd Maj, +/-3rd Min, +/-2nd Maj, +/-2nd Min, Unison

    Reference Frequency
    source and destination value

    Input Mode
    Transient, Smooth, Sync and Punch

     

    Graphic Component

    Graphical Editor Up to 999 edit points

    Edit
    Pitch or Time

    Bypass Switch
    Pitch or Time

    Zoom Control
    Up to x1,000 horizontal (X) and vertical (Y)

    Zoom Reset


    View
    Time, Bars, Samples, SMPTE and Feet+Frames

    View Properties
    Tempo, Musical time signature, SMPTE Format (Acording to View select)

    Link Mode
    Link to Time, Pitch or Unlinked

    Input Mode
    Transient, Smooth, Sync and Punch

    Start
    Shows the selection's start time as in the host application

    Edit Point Info
    Value Input for Source Time, Destination and Cents controls per edit point

    Total Time
    Input and Output values

    Reset Graph
    button

    Load Waveform
    Loads the current region selection to the Edit Graph

    "Being able to control pitch via a fader, and being able to automate it, allows me to add another layer of creativity and dimension to my sound design. Having the ability to fine tune the pitch algorithms using its modes makes SoundShifter a serious tool that I constantly rely on. Waves keeps creating the tools that help me tell stories with audio." Scott Martin Gershin, Sound Designer / Creative Director

    iLok authorization required

    X-Click

    Clean your click.

    Ideal for restoring vintage vinyl and shellac records, X-Click removes strong transient noise like clicks, spikes, switching noise, and digital crosstalk while preserving the sonic integrity of your source material.

    Featuring

    • Visual Scope displays intensity of clicks
    • Audio and Difference monitoring
    • Real-time track insert capability
    • Double precision bit resolution processing (Native)
    • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold 0 to 100

    Shape 0 to 100

    Attenuation Meter -inf to 0dB with peak hold indicator

    Output Meter -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "For optical, vinyl, and magnetic cleanup and restoration, I have not seel a more powerful tool." Brian Slack, Widget Post Production.

    iLok authorization required





    X-Crackle

    All Snap. No crackle. No pop.

    X-Crackle employs the latest psycho-acoustic algorithms to remove crackles and surface noise from vinyl records and damaged recordings, with results equal to or better than more expensive dedicated hardware solutions.

    Featuring

  • Audio and Difference output monitoring
  • Frequency-based Visual Scope display
  • Real-time track insert capability
  • Double precision bit resolution processing (Native)
  • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST, AU
  • PC and Mac compatible
  •  

    Controls

    Threshold 0 to 100 for targeting crackles

    Reduction 0 to 100

    Attenuation Meter 0dB to -inf with peak hold indicator

    Output Meter -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "Waves Restoration tools did an amazing job... Jim Watson, Fat Groove Productions

    iLok authorization required




    X-Hum

    Hum Wrecker.

    Featuring a friendly interface that’s a snap to learn and use, X-Hum uses eight harmonically linked notch filters to attenuate ground loop hum, DC offset, and low-frequency rumble caused by turntables and tape machines.

    Featuring

    • 8 Harmonic Notch Filters
    • Frequency and Amplitude attenuation display
    • Audio and Inverse monitoring
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    High Pass
    • On/Off
    • Filter Type -12dB/Oct or -24dB/Oct
    • Frequency 4Hz to 100Hz

    Notch Filters

    • Frequency 20Hz to 400Hz fundamental frequency
    • Q 3 to 60 global Q factor
    • Link Linked (all), Odd – Even or Unlinked
    • Gain -60dB to 0dB per harmonic filter

    Output Gain Fader -50dB to 0dB

    Output Meter 30dB to 0dB with peak hold and clip indicators

    Monitor Mode Audio or Inverse

    "The Results were satounding!"Brian Slack, Widget post Production

    iLok authorization required





    X-Noise

    No noise is good noise.

    With simple, intuitive controls similar to those found on traditional dynamics processors, X-Noise is perfect for removing tape hiss as well as air conditioner and computer noise from individual tracks, complete mixes, or damaged recordings.

    Featuring

    • Real-time parameter control and monitoring
    • Learn mode for Noise Profile creation
    • Frequency-based spectral display
    • Audio and Difference output monitoring
    • Up to 24bit 96kHz resolution (TDM 24/96 Mono only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible


    Controls

    Threshold -20dB to +50dB

    Reduction 0 to 100

    Dynamics

    • Attack 0ms to 1,000ms
    • Release 0ms to 5,000ms

    High Shelf

    • Frequency 400Hz to 20,000Hz
    • Gain -30dB to +30dB

    Resolution Low, Medium or High

    Noise Reduction Meter -Inf to 0dB with peak hold indicator

    Learn Captures the noise profile

    Output Meters -30dB to 0dB with peak hold indicator

    Monitor Mode Audio or Difference

    "X-Noise removed more extraneous noise than I thought possible..." Brian Slack, Widget Post Production

    iLok authorization required





    Morphoder

    The Vocoder, Redefined

    Taking the classic sound of the original Vocoder to new heights, Morphoder lets you combine two distinct audio signals to create never-before-heard sonic combinations with unmatched clarity and definition.

    Featuring

    • 8-Voice stereo synthesizer
    • Formant control
    • Modulator with Linear Phase EQ
    • MIDI control
    • Up to 24bit 96kHz resolution (TDM 24/96 Accel only)
    • Mono, Mono-to-Stereo and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Modulator Left, Right, Left+Right, and Sidechain

    Carrier Internal, Track, Left, Right or Sidechain

    Noise Filter High Pass, Low Pass and Bypass

    Noise Filter Frequency 50Hz to 10,000Hz

    Synthesizer Section

    • Synth 10 factory presets
    • Tune 220Hz to 880Hz
    • Spread 0.0 to 1.0

    Gain (G) -30dB to +30dB gain per band

    Frequency (F) 86Hz to 16,020Hz per band

    Q 0.26 to 6.50 per band

    In/Out Switch per band

    Frequency Band Marker Graphic control over Frequency and Gain per band

    Pressure 0dB to 50dB

    Formant 0.50 to 2.00

    Smoothing 50 to 800

    Release 50ms to inf.

    MIDI Input On/Off

    Note Sustain On/Off

    Keyboard 4-octave virtual keyboard

    Output Mixer

    • Carrier –inf. to 0dB
    • Modulator -inf. to 0dB
    • Noise –inf. to 0dB
    • Morph –inf. to +6dB
    • Solo/Mute per output parameter

    Output Meter -30dB to 0dB with peak hold and clip indicators

    iLok authorization required





    TransX

    total transient transformation

    Perfect for breathing new life into drum loops, accentuating or attenuating instrumental attacks, and modifying room acoustics, TransX is a revolutionary processor that shapes transients and revitalizes individual tracks and full mixes.

    Featuring

  • 2 Components: Trans-X Multi (4-Band) and Trans-X Wide (Wide Band)
  • Adds punch, softens edges, highlights sustain
  • Multi features individual Range and Sensitivity for each band
  • Up to 24bit, 192kHz resolution (TDM Wide only)
  • Mono and Stereo components
  • Supports TDM, RTAS, Audio Suite, VST
  • PC and Mac compatible


  • Controls

    Xover Crossover Cutoff (Multi module only) Low 40Hz to 250Hz, Mid 100Hz to 6,000Hz, High 2,000Hz to 16,000Hz

    Frequency Band Marker Graphic control over Frequency and Range per band (Multi module only)

    Range -24dB to +18dB

    Sensitivity -10dB to +10dB

    On/Off Switch per band (Multi module only)

    Duration 0.01ms to 500ms transients attack time

    Release 0.50ms to 500ms Output Gain Fader -18dB to +18dB

    Output Meter -80dB to 0dB with peak hold and clip indicators

    Trim Output gain adjustment

    "...change and instrument's presence in the mix without colouring the sound..." Bob Dorman, Music Tech Magazine

    iLok authorization required



    MV2

    Dynamics processor

    With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.

    Featuring

    • High level compression
    • Low level compression
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    • Low Level Compression 0 to +48 dB
    • High Level Compression 0 to -48 dBFS
    • Output Gain 0 to -48 dBFS
    • Low Level Gain Meter 0 to +48dB
    • High Level Attenuation Meter 0 to -48dB
    • Output Meter 0 to -60 dBFS
    iLok authorization required


    MaxxVolume

    4-way Dynamics Processing

    The very first plugin of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer™, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.

    It’s a Vocal tool, with automatic level riding that keeps your vocal in focus.

    It’s an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.

    It’s a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.

    When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.

    Featuring

    • High level compression
    • Low level compression
    • Gating
    • Leveling (Auto Gain Control)
    • Double precision bit resolution processing
    • Up to 24bit 192kHz resolution (TDM 24/96 only)
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Low Level

    • Threshold -96dB to 0dB
    • Threshold On/off
    • Gain 0dB to +48dB
    • Gain Meter 0dB to +48dB

    Gate

    • Threshold -96dB to 0dB
    • Threshold On/off

    Energy Meter -96dB to 0dB

    Leveler

    • Threshold -48dB to 0dB
    • Threshold On/off

    High Level

    • Threshold -48dB to 0dB
    • Threshold On/off
    • Gain -48dB to 0dB
    • Gain Meter -48dB to 0dB

    Output Meter -96dB to 0dB with peak hold and clip indicators

    "I needed something that get results FAST! MaxxVolume saved the day". Bob Ludwig, the pro review

    "MaxxVolume puts your vocal front and center, It's nothing short of magic." Chris Shaw, producer / engineer Bob dDylan, Sheryl Crow, Weezer, Wilco, Public Enemym Ice Cube

    iLok authorization required

     





    Z-Noise

    Advanced dynamic noise reduction

    Hiss happens. So does ground hum, computer noise, and any number of unwanted sonic artifacts. Bring on Z-Noise, and hear them disappear. Featuring real-time noise profiling, innovative transient preservation, and increased low-frequency resolution, Z-Noise truly is a revolution in noise reduction

    Featuring

    • 5-Band Noise Profile EQ
    • Enhanced low-frequency resolution and time sensitivity
    • Monitor the entire output or just the noise
    • Exclusive Extract mode creates noise profile from sources containing signal and noise
    • Adaptive dynamic detection for noise that changes over time
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Threshold -60dB to +60dB

    Reduction 0 to 50

    Noise Reduction (NR) Meter -Inf. to 0dB

    Attack 0.01ms to 1,000ms

    Release 0.01ms to 5,000ms

    Transients 0dB to 30dB

    Knee 0 to 100

    5 Band Noise Profile EQ

    • On/Off Per Band
    • Shape Low Shelf, High Shelf, Bell or Notch
    • Gain -30dB to +30dB
    • Frequency 30Hz to 22,016Hz
    • Q 0.26 to 6.5
    • Frequency Band Marker Graphic control over Frequency and Gain per band

    Noise Profile

    • Learn Captures Noise Profile from Noise selection
    • Extract Captures Noise Profile from Program Audio

    Adaptive Constantly Updates the Captured Noise Profile from Program Audio

    Optimize Punch, Normal or Smooth

    Analyzer Display Shows graphs for the Input Signal, Output Signal, Noise Profile and EQ Profile

    Monitor Audio or Difference

    Output Meter -30dB to 0dB with peak hold indicator

    "I use Z-Noise for sound-design work, running virtually every sound through it when transferring sounds fron my library to Pro Tools. People say 'your stuff is so clean and punchy sounding'. I I contribute the majority of that cleaninless to Z-Noise. It's my new secret weapon!" Charles Deenen, Sound designer - Need for Speed, Fast and Furious, and movie trailers

    iLok authorization required





    Waves Center

    Balance your Image.

    Ideal for final mixes and mastering, Waves Center is an innovative new processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.

    Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically re-balance your spatial imagery. Adjustable punch, high frequency, and low frequency controls let you enhance detail with maximum impact.

    Get centered or get side-tracked. Choose sides or play it down the middle. Find the middle ground, or get a little something on the side. With Waves Center, you really can play the (stereo) field.

    Waves Center is ideal for a wide range of audio applications:

    • Enhance dialog or narration
    • Control the ambience/reverb of stereo location recordings
    • Improve mono compatibility
    • Bring out the lead vocals in a finished mix
    • Re-image stereo drum overheads
    • Balance stereo recordings of individual or groups of acoustic instruments
    • Widen or narrow the stereo spread
    • Remove vocals for karaoke
    • Remove instrumental tracks for remixes and mash-ups
    • Manipulate samples and drum loops

    Watch Drew Lavyne on mastering with Waves Center:



    Controls

  • High controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
  • Low controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
  • Punch controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
  • Center controls the Center gain. +6dB to Off
  • Sides controls the Sides gain +6dB to Off
  • Master Gain controls the overall stereo gain. +6dB to -24dB
  • Output Meters displays the stereo output after processing. 0 dBFS to -36 dBFS
  • Center Detection Meter Displays the Center content of the stereo source
  • "I worked on a song where the vocal was too low and there were no other mixes from which to choose and remixing it was not possible. Waves Center brought ot the vocal just enough without damaging anything else in the mix. Being able to brighten the center and leave the sides alone was a great help. Bob Ludwig, Mastering Engineer - Janis Joplin, Jimi Hendrix, Led Zeppelin

    iLok authorization required



    H-Comp

    Hybrid Compressor

    H-comp is a brand new dynamics processor that combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

    Featuring

    • Analog modeled release behavior
    • Wet/Dry mix for easy parallel compression
    • Unique transient pass-through punch control
    • Exclusive BPM-sync release function
    • Analog character modes
    • Output limiter/clipper modes
    • External sidechain support




    Controls

    Threshold - 0 to -48 dB
    Ratio - 1 to 50
    Punch – 0 to 30
    Attack - 0.5 to 100 ms
    Release - 3 to 3000 ms | 1/64T to 2 Bar
    BPM (manual) - 30 to 300 BPM
    Mix - (Dry/Wet) 0 to 100
    Sync - BPM/Host/MS
    Analog - Off, Modes 1 to 4
    Limiter - On/Off
    Output - +/- 18 dB
    Meter Mode - InGROut, 0 to -48 dB

    The Waves Hybrid Line is a win-win winner-- get all the great sounds of those old processors without the downside issues." Barry Rudolph, PrpSoundWeb, July 2009

    iLok authorization required




    H-Delay

    Hybrid Delay

    From real old school PCM42-style effects like filtering, flanging, and phasing, to slap-back echo, ping-pong delay, and tempo-sync with modulation, H-Delay delivers the goods, controlled by a super intuitive interface that lets you get right down to business.

    Featuring

    • Up to 3500 ms delay time
    • Variable pitch delay time behavior
    • Analog character and LoFi modes
    • Infinite feedback support
    • LFO-controlled pitch modulation
    • Tap Pad for easy delay time setting
    • Sync-to-host or manual BPM
    • HiPass and LoPass filters
    • Full MIDI support




    Controls

    Delay – 1 to 3500 ms or BPM Multiples (note values)
    Delay Sync – Host/BPM/MS
    BPM (manual) – 30 to 300 BPM
    Modulation Depth – 0 to 100
    Modulation Rate – 0.1 to 6000 Hz / Beat
    Ping Pong – On/Off
    Feedback – 0 to 200
    Phase Reverse L/R – In/Out
    LP Filter – 20 Hz to 20 kHz
    HP Filter – 20 Hz to 20 kHz
    LP/HP Filter Link
    Dry/Wet Mix – 0 to 100
    Analog – Off, Modes 1 to 4
    LoFi – On/Off
    Output – +/-18 dB
    Output Meter – -48 to 0 dBFS
    Tap Pad

    The Waves Hybrid Line is a win-win winner-- get all the great sounds of those old processors without the downside issues." Barry Rudolph, PrpSoundWeb, July 2009

    iLok authorization required


    PuigTec EQP-1A

    Program Equalizer

    The Pultec EQP-1A is renowned for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The PuigTec EQP-1A is a remarkable replication of Jack Joseph Puig’s original hand-crafted unit, heard on dozens of popular recordings from artists including Weezer, Black Crowes, and Panic At The Disco.

    Featuring

  • Unique resonant low shelf boost
  • Digidesign Icon support
  • Up to 24bit, 96kHz resolution
  • Mono and Stereo components
  • Supports TDM, RTAS, VST, AU
  • PC and Mac compatible




  • Controls

    Low Band Boost 0 to 11 (18 dB boost, 0.1 steps)

    Low Band Attenuation 0 to 11 (18 dB cut, 0.1 steps)

    Low Band Frequency 20Hz, 30Hz, 60Hz, 100Hz

    High Bell Boost 0 to 11 (18 dB boost, 0.1 steps)

    High Bell Bandwidth (Q) 0 to 11 (0=sharp 11=wide, 0.1 steps)

    High Bell Frequency 3kHz, 4kHz, 5kHz, 8kHz, 10kHz, 12kHz, 16kHz

    High Shelf Attenuation 0 to 11 (18 dB cut, 0.1 steps)

    High Shelf Frequency (Atten Sel) 5kHz, 10kHz, 20kHz

    In In/Out

    Output -18dB to 18dB (0.1 steps)

    Mains Off, 50 Hz, 60 Hz

    iLok authorization required

     


    PuigTec MEQ-5

    Midrange Equalizer

    The distinctive tonal characteristics of the MEQ-5 have made the original Pultec hardware a mainstay at high-end studios for decades. The midrange PuigTec MEQ-5 and the broadband PuigTec EQP-1A together comprise a full range vintage EQ chain.

    Featuring

    • Midrange complement to EQP-1A
    • Digidesign Icon support
    • Up to 24bit, 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, VST, AU
    • PC and Mac compatible




    Controls

    Low Mid Frequency 200Hz, 300Hz, 500Hz, 700Hz, 1000Hz

    Low Mid Peak 0 to 11 (10dB boost, 0.1 steps)

    Mid Frequency 200Hz, 300Hz, 500Hz, 700Hz,1000Hz, 1.5kHz, 2kHz, 3kHz,4kHz, 5kHz, 7kHz

    Mid Dip 0 to 11 (10dB cut, 0.1 steps)

    High Mid Frequency 1.5kHz, 2kHz, 3kHz, 4kHz, 5kHz

    High Mid Peak 0 to 11 (10dB boost 0.1 steps)

    In In/Out

    Output -18dB to 18dB (0.1 steps)

    Mains Off, 50 Hz, 60 Hz

    iLok authorization required

     





    V-Comp

    Vintage meets the future

    Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

    Featuring

    • Modeled on the acclaimed 2254 compressor
    • Up to 24bit 96kHz resolution
    • Mono and Stereo components
    • Supports TDM, RTAS, Audio Suite, VST, AU
    • PC and Mac compatible




    Controls

    Input -18dBu to +18dBu

    Output -18dBu to +18dBu

    Meter switch Input, Output or Gain Reduction

    Meter display Displays input, output, or gain reduction levels

    Analog switch Off, 25%, 50% and 100%

    Limiter Section

    • Limiter On/Off
    • Limit level +4dBu to +12dBu
    • Attack Fast or Slow
    • Release ms, 200 ms, 800 ms and Auto

    Compressor Section

    • Compress On/Off
    • Ratio 1.5:1, 2:1, 3:1, 4:1 and 6:1
    • Release 400ms, 800ms, 1.5s and Auto
    • DeEsser On/Off

    "A brand new favorite is the new Waves Vintage EQ... this thing rocks..." Alan Branch

    iLok authorization required

























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